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Showbiz Junkies

What Do Movie Ratings Mean?

How Movies Get Their Ratings

How does a movie earn a G, PG, PG-13, R or NC-17 rating? The Motion Picture Association of America has set the following standards for films in order to help parents determine if the content is acceptable for viewing.

G — General Audiences . All Ages Admitted. A G-rated motion picture contains nothing in theme, language, nudity, sex, violence or other matters that, in the view of the Rating Board, would offend parents whose younger children view the motion picture. The G rating is not a “certificate of approval,” nor does it signify a “children’s” motion picture. Some snippets of language may go beyond polite conversation but they are common everyday expressions. No stronger words are present in G-rated motion pictures. Depictions of violence are minimal. No nudity, sex scenes or drug use are present in the motion picture.

PG — Parental Guidance Suggested . Some Material May Not Be Suitable For Children. A PG-rated motion picture should be investigated by parents before they let their younger children attend. The PG rating indicates, in the view of the Rating Board, that parents may consider some material unsuitable for their children, and parents should make that decision. The more mature themes in some PG-rated motion pictures may call for parental guidance. There may be some profanity and some depictions of violence or brief nudity. But these elements are not deemed so intense as to require that parents be strongly cautioned beyond the suggestion of parental guidance. There is no drug use content in a PG-rated motion picture.

PG-13 — Parents Strongly Cautioned . Some Material May Be Inappropriate For Children Under 13. A PG-13 rating is a sterner warning by the Rating Board to parents to determine whether their children under age 13 should view the motion picture, as some material might not be suited for them. A PG-13 motion picture may go beyond the PG rating in theme, violence, nudity, sensuality, language, adult activities or other elements, but does not reach the restricted R category. The theme of the motion picture by itself will not result in a rating greater than PG-13, although depictions of activities related to a mature theme may result in a restricted rating for the motion picture. Any drug use will initially require at least a PG-13 rating. More than brief nudity will require at least a PG-13 rating, but such nudity in a PG-13 rated motion picture generally will not be sexually oriented. There may be depictions of violence in a PG-13 movie, but generally not both realistic and extreme or persistent violence. A motion picture’s single use of one of the harsher sexually-derived words, though only as an expletive, initially requires at least a PG-13 rating. More than one such expletive requires an R rating, as must even one of those words used in a sexual context. The Rating Board nevertheless may rate such a motion picture PG-13 if, based on a special vote by a two-thirds majority, the Raters feel that most American parents would believe that a PG-13 rating is appropriate because of the context or manner in which the words are used or because the use of those words in the motion picture is inconspicuous.

R — Restricted . Children Under 17 Require Accompanying Parent or Adult Guardian. An R-rated motion picture, in the view of the Rating Board, contains some adult material. An R-rated motion picture may include adult themes, adult activity, hard language, intense or persistent violence, sexually-oriented nudity, drug abuse or other elements, so that parents are counseled to take this rating very seriously. Children under 17 are not allowed to attend R-rated motion pictures unaccompanied by a parent or adult guardian. Parents are strongly urged to find out more about R-rated motion pictures in determining their suitability for their children. Generally, it is not appropriate for parents to bring their young children with them to R-rated motion pictures.

NC-17 — No One 17 and Under Admitted . An NC-17 rated motion picture is one that, in the view of the Rating Board, most parents would consider patently too adult for their children 17 and under. No children will be admitted. NC-17 does not mean “obscene” or “pornographic” in the common or legal meaning of those words, and should not be construed as a negative judgment in any sense. The rating simply signals that the content is appropriate only for an adult audience. An NC-17 rating can be based on violence, sex, aberrational behavior, drug abuse or any other element that most parents would consider too strong and therefore off-limits for viewing by their children.

Source: MPAA

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Film Ratings

Informing parents since 1968.

Ratings are determined by the Classification and Ratings Administration (CARA), via a board comprised of an independent group of parents. Follow @FilmRatings on Twitter for daily updates on film ratings.

Looking for more information on how the film rating system works? Check out FilmRatings.com to learn the history of the film rating program, and to download additional film rating resources.

The History of the Ratings

Established by Motion Picture Association in 1968, the rating system was created to help parents make informed viewing choices for their children. Learn the facts, history, and evolution behind more than 50 years of ratings.

Understanding Film Ratings

Looking for more information on how the film ratings system works? Check out FilmRatings.com to learn the history of the film ratings program, and to download additional film ratings resources.

Submit a
 Film for Rating

Are you a filmmaker looking to have your film rated? Start the submission process with the Classification and Rating Administration.

Ratings Guide

Not sure what each rating means? Check out our interactive guide:

General Audiences

Parental
 guidance suggested, parents strongly cautioned, no one 17 and under admitted, sign up for updates.

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Movie Ratings Explained — Origins How They ve Changed Featured

Movie Ratings Explained — Origins & How They’ve Changed

H ave you ever wondered why movies are rated the way that they are? The rating a film receives can have a significant impact on its audience size and, by the same token, on its box office revenue. But, what do all of the various letter ratings really mean? We will be explaining each of the current movie ratings as well as all of the former ratings that are no longer used. Let’s tackle each rating in escalating order of severity, but first, a bit of background on the rating process.

Movie Ratings Explained

Who determines movie ratings.

The organization in charge of assigning ratings at their discretion is the MPA, or Motion Picture Association, but most people will likely be more familiar with the previous name of the organization, the MPAA, which formerly stood for Motion Picture Association of America. The name and acronym were shortened relatively recently in 2019 after operating for 74 years as the MPAA.

To learn more about this organization, be sure to read our What is the MPAA? article. The documentary This Film is Not Yet Rated also offers a compelling deep dive into the behind the scenes operations of the MPA.

This Film is Not Rated  •  Full documentary

Movie ratings are assigned by different organizations around the world and sometimes level judgements based on entirely different criteria. These ratings are specific to the United States film industry. Let’s get started with the rating given to films that are perfectly safe for all ages.

Film Rating Organization

When the  Hays Code was repealed in 1968 and replaced with the voluntary film rating system, the G rating was one of the four initial ratings and is still used to this day. The G rating is given to films considered appropriate for “General Audiences,” meaning these films do not contain any objectionable content and are suitable for viewers of all ages.

What happened to the G rating?  •  Movie rating guide

The G rating is still around to this day but it has become less frequently used over the years. The G rating used to be more widely applied to films of varying content but now it is reserved for only the absolute safest and squeaky-clean of films. The PG rating has even largely replaced the G rating as the de facto rating for most children’s movies. Check out our list of the  best kids movies of all time and see where they land on the G to PG spectrum.

Cinema Ratings Explained

There is a decent chance that you have never heard of the M rating. This short-lived rating was given to films considered appropriate for “Mature Audiences.” But it was quickly the subject of much confusion as some films assigned the M rating were still considered appropriate for most children. The exact meaning of “Mature” was unclear to the general public and, because of this, the rating was changed.

The M Rating explained

The M Rating explained  •  Who rates movies

The M rating was only used between 1968-1970 when it was replaced by the GP rating, which stood for “General Public.” However, the GP rating was also ill-fated as it was soon replaced again with a rating that finally stuck, the longstanding PG rating.

What Are the Movie Ratings

Preceded by the M and GP ratings, the PG rating has remained in use ever since it was first introduced in 1972. The PG rating is given to films where “Parental Guidance” is suggested. PG films are typically considered safe for kids to watch but may contain suggestive content.

PG movie moments that push the rating boundaries  •  Rating system for movies

Before the introduction of the PG-13 rating, PG films were often able to push the envelope much farther than they can today. Over the years, the general MPAA ratings have both loosened and tightened in accordance with the perceived social norms of the times.

For a deeper dive into these fluctuating social norms, check out our exploration into the history of film censorship in America .

For example, in the '70s, a film with violence, gore, swearing, and even nudity could land a PG rating, such as Jaws . Whereas a film containing those elements released in the current year would never land a PG rating. Find out where Jaws ranks on our rundown of the  best Spielberg films ever made .

Ratings for Movies

Rated pg-13.

The PG-13 rating was introduced in 1984 as an intermediate level between the PG and R ratings. A number of films fell into a grey area where they contained more objectionable content than the average PG film but didn’t push enough boundaries to land an R rating.

Films like Jaws and Poltergeist landed PG ratings upon release, but these days, they would be far more likely to land PG-13 ratings.

Why the PG-13 rating was created  •  Movie rating system

The one-two punch of Gremlins and Indiana Jones and the Temple of Doom directly led to the creation of the PG-13 rating. It was Steven Spielberg himself who suggested the addition of a new rating between PG and R to accommodate films that landed in this as-yet undefined gray area. Spielberg directed and/or produced all four of these risque PG rated films. Learn more about Steven Spielberg’s directing style in our guide to how Spielberg directs a long take .

Movie Rating Organization

The R rating was one of the four initial ratings when the voluntary film rating system was first introduced in 1968. The R stands for “Restricted,” meaning no one under the age requirement would be admitted to an R rated film on their own. However, someone below the required age can still be admitted as long as they are accompanied by a parent or guardian.

Movies rated R for questionable reasons  •  All movie ratings

Even though this rating has been around since the beginning, that doesn’t mean it hasn’t changed at all over the years. The initial age requirement for admittance to R rated films was 16 before being raised to 17 in 1970.

The R rating is the highest rating level that most films receive, but there is one rating higher.

Related Posts

  • History of Censorship in America →
  • The Hays Code & Hollywood Censorship →
  • What is the MPAA & How Does It Work? →

Movie Ratings Meaning

The X rating was the fourth and final initial rating when the system was first instituted in 1968. However, the X rating is a bit of an outlier in the system. The X rating was not an official rating assigned by the MPAA but rather a rating that producers could self-assign to their films in lieu of submitting for an official MPAA rating or after being rejected from any of the lower ratings.

Whatever happened to the X rating?  •  Cinema ratings explained

When the X rating first came into being, the age requirement for admittance to X rated films was 16 years old. As opposed to R rated films, no one under the age of 16 could be admitted to an X rated film under any circumstances, even if accompanied by a parent or guardian. In 1970, the age requirement was bumped up one additional year to 17.

Noteworthy films such as Midnight Cowboy and A Clockwork Orange received X ratings. Though A Clockwork Orange later had it’s rating lowered to an R after approximately 30-seconds of footage was re-edited. Read about  A Clockwork Orange  and other great examples of satire to learn more.

Receiving an X rating could drastically reduce the audience size and box office potential of a film. So filmmakers and producers were highly incentivized to avoid landing an X rating. Most theaters would refuse to screen X rated films, and TV stations would not air even censored versions of X rated films.

Many advertising options offered to other films were not available to X rated movies. There have been many instances of the MPAA refusing to issue R ratings to films, requiring additional cuts in order to avoid an X rating hurting the film’s bottom line.

Rated NC-17

In 1990, the X rating was retired and replaced with the NC-17 rating. The X rating had become closely associated with pornography, and filmmakers objected to their films being classified in the same category. The MPAA did not assign X ratings to pornographic films, but since the X rating was a self-assigned rating in lieu of an official MPAA rating, pornographic filmmakers adopted the X rating and used the label with relish.

The two films that most directly led to the creation of the NC-17 rating were Henry: Portrait of a Serial Killer and The Cook , the Thief, His Wife, and Her Lover . Both films received X ratings, frustrating their respective filmmakers for the limitations the rating imposed on their films.

Many advertisers refused their promotional materials, theaters refused to screen the films, and rental stores even refused to stock their X-rated tapes. The latter accepted the X rating while the former chose to remain “Unrated.” After the NC-17 rating was instituted, the first film to receive the new rating was Henry & June , which had previously received an X rating as well.

News report on the introduction of the NC-17 rating  •  all movie ratings

When first introduced, the wording for the NC-17 description read: “No Children Under 17 Admitted.” In 1996, the wording was changed to: “No One 17 and Under Admitted,” effectively raising the age requirement by one additional year to 18.

Films rated NC-17 still faced additional promotional and distribution challenges not faced by films rated R and lower. But they were less severely hampered than they would be by an X rating or remaining unrated in some cases. The introduction of the NC-17 rating has been the last significant update to the movie ratings system thus far.

NR and UR labels

If a film doesn’t fit any of the previous labels, it may wind up labeled NR or UR, which stand for “Not Rated” and “Unrated” respectively. At first glance, the NR and UR labels might look like they mean the same thing, and they are sometimes used interchangeably, but there is also an important distinction.

The Not Rated label is usually applied to films that are not yet rated or that have chosen to remain “Not Rated” rather than accept the rating assigned by the MPAA. A film might be promoted in trailers and other advertisements ahead of receiving an official MPAA rating with the disclaimer “This Film is Not Yet Rated.”

On the other hand, the “Unrated” label is most commonly applied to alternate cuts of a film that differ from the initial theatrical release. An “Unrated” cut of a film often exists alongside a rated cut of the film. It commonly appears on home video releases or re-releases that contain additional footage or do not maintain the cuts initially made to ensure a lighter rating from the MPAA.

Saw rated vs. unrated comparison  •  Film rating organization

Because of the voluntary nature of the film rating system, some filmmakers would choose to leave a film as “Not Rated” rather than take on an X rating. Films like Day of the Dead and The Texas Chainsaw Massacre Part 2 remained “Not Rated” after being refused R ratings from the MPAA. NR films received some of the same screening and advertising limitations as X-rated films but were sometimes afforded more leeway and avoided the pornographic connotation of the X rating.

What is Pre-Code Hollywood?

What is pre-code Hollywood? Before the movie rating system was introduced and before the Hays Code was enacted, the state of Hollywood censorship was vastly different. Learn all about pre-code Hollywood, up next.

Up Next: Pre-Code Hollywood →

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IMDb Charts

Imdb top 250 movies.

Tim Robbins in The Shawshank Redemption (1994)

1. The Shawshank Redemption

Marlon Brando in The Godfather (1972)

2. The Godfather

Morgan Freeman, Gary Oldman, Christian Bale, Michael Caine, Aaron Eckhart, Heath Ledger, Maggie Gyllenhaal, Cillian Murphy, and Chin Han in The Dark Knight (2008)

3. The Dark Knight

Al Pacino in The Godfather Part II (1974)

4. The Godfather Part II

Henry Fonda, Martin Balsam, Jack Klugman, Lee J. Cobb, Ed Begley, Edward Binns, John Fiedler, E.G. Marshall, Joseph Sweeney, George Voskovec, Jack Warden, and Robert Webber in 12 Angry Men (1957)

5. 12 Angry Men

Schindler's List (1993)

6. Schindler's List

Liv Tyler, Sean Astin, Elijah Wood, Viggo Mortensen, Ian McKellen, and Andy Serkis in The Lord of the Rings: The Return of the King (2003)

7. The Lord of the Rings: The Return of the King

Uma Thurman in Pulp Fiction (1994)

8. Pulp Fiction

Liv Tyler, Sean Astin, Sean Bean, Elijah Wood, Cate Blanchett, Viggo Mortensen, Ian McKellen, Orlando Bloom, Billy Boyd, Dominic Monaghan, and John Rhys-Davies in The Lord of the Rings: The Fellowship of the Ring (2001)

9. The Lord of the Rings: The Fellowship of the Ring

The Good, the Bad and the Ugly (1966)

10. The Good, the Bad and the Ugly

Tom Hanks in Forrest Gump (1994)

11. Forrest Gump

Brad Pitt and Edward Norton in Fight Club (1999)

12. Fight Club

Liv Tyler, Sean Astin, Christopher Lee, Elijah Wood, Viggo Mortensen, Miranda Otto, Ian McKellen, Orlando Bloom, John Rhys-Davies, and Andy Serkis in The Lord of the Rings: The Two Towers (2002)

13. The Lord of the Rings: The Two Towers

Leonardo DiCaprio, Tom Berenger, Michael Caine, Lukas Haas, Marion Cotillard, Joseph Gordon-Levitt, Tom Hardy, Elliot Page, Ken Watanabe, and Dileep Rao in Inception (2010)

14. Inception

Harrison Ford, Anthony Daniels, Carrie Fisher, Mark Hamill, James Earl Jones, David Prowse, Kenny Baker, and Peter Mayhew in Star Wars: Episode V - The Empire Strikes Back (1980)

15. Star Wars: Episode V - The Empire Strikes Back

Keanu Reeves, Laurence Fishburne, Joe Pantoliano, and Carrie-Anne Moss in The Matrix (1999)

16. The Matrix

Robert De Niro, Ray Liotta, and Joe Pesci in Goodfellas (1990)

17. Goodfellas

Jack Nicholson in One Flew Over the Cuckoo's Nest (1975)

18. One Flew Over the Cuckoo's Nest

Brad Pitt and Morgan Freeman in Se7en (1995)

20. It's a Wonderful Life

Seven Samurai (1954)

21. Seven Samurai

Matthew McConaughey in Interstellar (2014)

22. Interstellar

Jodie Foster in The Silence of the Lambs (1991)

23. The Silence of the Lambs

Tom Hanks, Matt Damon, Tom Sizemore, and Edward Burns in Saving Private Ryan (1998)

24. Saving Private Ryan

Inhabitants of Belo Vale Boa Morte and Cidade de Congonhas and Paige Ellens in City of God (2002)

25. City of God

Oscar Isaac, Andy Samberg, Jake Johnson, Daniel Kaluuya, Hailee Steinfeld, Karan Soni, Shameik Moore, and Issa Rae in Spider-Man: Across the Spider-Verse (2023)

26. Spider-Man: Across the Spider-Verse

Roberto Benigni, Nicoletta Braschi, and Giorgio Cantarini in Life Is Beautiful (1997)

27. Life Is Beautiful

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28. The Green Mile

Anthony Daniels, Carrie Fisher, Mark Hamill, James Earl Jones, David Prowse, and Kenny Baker in Star Wars: Episode IV - A New Hope (1977)

29. Star Wars: Episode IV - A New Hope

Arnold Schwarzenegger in Terminator 2: Judgment Day (1991)

30. Terminator 2: Judgment Day

Michael J. Fox in Back to the Future (1985)

31. Back to the Future

Spirited Away (2001)

32. Spirited Away

The Pianist (2002)

33. The Pianist

Anthony Perkins, John Gavin, Janet Leigh, and Heather Dawn May in Psycho (1960)

35. Parasite

Russell Crowe in Gladiator (2000)

36. Gladiator

Matthew Broderick in The Lion King (1994)

37. The Lion King

Natalie Portman and Jean Reno in Léon: The Professional (1994)

38. Léon: The Professional

Edward Norton in American History X (1998)

39. American History X

Leonardo DiCaprio, Jack Nicholson, and Matt Damon in The Departed (2006)

40. The Departed

Miles Teller in Whiplash (2014)

41. Whiplash

Christian Bale, Hugh Jackman, and Scarlett Johansson in The Prestige (2006)

42. The Prestige

Kevin Spacey, Stephen Baldwin, Gabriel Byrne, Benicio Del Toro, and Kevin Pollak in The Usual Suspects (1995)

43. The Usual Suspects

Corinne Orr, Ayano Shiraishi, Tsutomu Tatsumi, J. Robert Spencer, Emily Neves, and Adam Gibbs in Grave of the Fireflies (1988)

44. Grave of the Fireflies

Harakiri (1962)

45. Harakiri

Ingrid Bergman, Humphrey Bogart, Peter Lorre, Claude Rains, Sydney Greenstreet, Paul Henreid, and Conrad Veidt in Casablanca (1942)

46. Casablanca

François Cluzet and Omar Sy in The Intouchables (2011)

47. The Intouchables

Cillian Murphy in Oppenheimer (2023)

48. Oppenheimer

Charles Chaplin in Modern Times (1936)

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Cinema Paradiso (1988)

50. Cinema Paradiso

Once Upon a Time in the West (1968)

51. Once Upon a Time in the West

Grace Kelly, James Stewart, and Georgine Darcy in Rear Window (1954)

52. Rear Window

Alien (1979)

54. City Lights

Marlon Brando and Martin Sheen in Apocalypse Now (1979)

55. Apocalypse Now

Leonardo DiCaprio, Jamie Foxx, and Christoph Waltz in Django Unchained (2012)

56. Django Unchained

Guy Pearce and Carrie-Anne Moss in Memento (2000)

57. Memento

Harrison Ford, Karen Allen, Paul Freeman, Wolf Kahler, Ronald Lacey, and Terry Richards in Raiders of the Lost Ark (1981)

58. Raiders of the Lost Ark

Kathy Najimy, John Ratzenberger, Andrew Stanton, Lori Alan, Bob Bergen, Ben Burtt, John Cygan, Donald Fullilove, Teresa Ganzel, Jeff Garlin, Jan Rabson, Jess Harnell, Kim Kopf, Sherry Lynn, Laraine Newman, Teddy Newton, Jeff Pidgeon, Jim Ward, Fred Willard, Elissa Knight, and Niki McElroy in WALL·E (2008)

60. The Lives of Others

William Holden, Nancy Olson, and Gloria Swanson in Sunset Blvd. (1950)

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Kirk Douglas in Paths of Glory (1957)

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Don Cheadle, Robert Downey Jr., Josh Brolin, Vin Diesel, Paul Bettany, Bradley Cooper, Chris Evans, Scarlett Johansson, Elizabeth Olsen, Chris Pratt, Mark Ruffalo, Zoe Saldana, Benedict Wong, Anthony Mackie, Chris Hemsworth, Dave Bautista, Benedict Cumberbatch, Chadwick Boseman, Sebastian Stan, Danai Gurira, Karen Gillan, Pom Klementieff, Letitia Wright, and Tom Holland in Avengers: Infinity War (2018)

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The Shining (1980)

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Charles Chaplin and Paulette Goddard in The Great Dictator (1940)

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Witness for the Prosecution (1957)

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Sigourney Weaver and Carrie Henn in Aliens (1986)

69. Inglourious Basterds

Morgan Freeman, Gary Oldman, Christian Bale, Michael Caine, Matthew Modine, Anne Hathaway, Marion Cotillard, and Joseph Gordon-Levitt in The Dark Knight Rises (2012)

70. The Dark Knight Rises

Kevin Spacey, Thora Birch, Mena Suvari, and Wes Bentley in American Beauty (1999)

71. American Beauty

Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964)

72. Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb

Oldboy (2003)

75. Amadeus

Tom Hanks, R. Lee Ermey, Tim Allen, Annie Potts, John Ratzenberger, Wallace Shawn, Jim Varney, and Don Rickles in Toy Story (1995)

76. Toy Story

Das Boot (1981)

77. Das Boot

Mel Gibson in Braveheart (1995)

78. Braveheart

Don Cheadle, Robert Downey Jr., Josh Brolin, Bradley Cooper, Chris Evans, Scarlett Johansson, Brie Larson, Jeremy Renner, Paul Rudd, Mark Ruffalo, Chris Hemsworth, Danai Gurira, and Karen Gillan in Avengers: Endgame (2019)

79. Avengers: Endgame

Joaquin Phoenix in Joker (2019)

81. Princess Mononoke

Robin Williams and Matt Damon in Good Will Hunting (1997)

82. Good Will Hunting

Your Name. (2016)

83. Your Name.

Robert De Niro, James Woods, William Forsythe, Brian Bloom, Adrian Curran, James Hayden, Rusty Jacobs, and Scott Tiler in Once Upon a Time in America (1984)

84. Once Upon a Time in America

Sharman Joshi, Aamir Khan, and Madhavan in 3 Idiots (2009)

85. 3 Idiots

Toshirô Mifune, Kenjirô Ishiyama, Kyôko Kagawa, and Tatsuya Nakadai in High and Low (1963)

86. High and Low

Gene Kelly, Debbie Reynolds, and Donald O'Connor in Singin' in the Rain (1952)

87. Singin' in the Rain

Capernaum (2018)

88. Capernaum

Jennifer Connelly in Requiem for a Dream (2000)

89. Requiem for a Dream

Tom Hanks, Joan Cusack, Tim Allen, John Ratzenberger, Wallace Shawn, Jodi Benson, Blake Clark, Estelle Harris, Jeff Pidgeon, and Don Rickles in Toy Story 3 (2010)

90. Toy Story 3

Aleksey Kravchenko in Come and See (1985)

91. Come and See

Harrison Ford, Carrie Fisher, Mark Hamill, James Earl Jones, Warwick Davis, David Prowse, Billy Dee Williams, Michael Carter, and Larry Ward in Star Wars: Episode VI - Return of the Jedi (1983)

92. Star Wars: Episode VI - Return of the Jedi

Jim Carrey and Kate Winslet in Eternal Sunshine of the Spotless Mind (2004)

93. Eternal Sunshine of the Spotless Mind

2001: A Space Odyssey (1968)

94. 2001: A Space Odyssey

Mads Mikkelsen in The Hunt (2012)

95. The Hunt

Steve Buscemi, Harvey Keitel, Michael Madsen, Tim Roth, and Chris Penn in Reservoir Dogs (1992)

96. Reservoir Dogs

Ikiru (1952)

98. Lawrence of Arabia

Orson Welles, Dorothy Comingore, and Ruth Warrick in Citizen Kane (1941)

99. Citizen Kane

Jack Lemmon and Shirley MacLaine in The Apartment (1960)

100. The Apartment

M (1931)

102. North by Northwest

Vertigo (1958)

103. Vertigo

Edward G. Robinson, Barbara Stanwyck, and Fred MacMurray in Double Indemnity (1944)

104. Double Indemnity

Audrey Tautou in Amélie (2001)

105. Amélie

Al Pacino in Scarface (1983)

106. Scarface

Full Metal Jacket (1987)

107. Full Metal Jacket

Malcolm McDowell in A Clockwork Orange (1971)

108. A Clockwork Orange

Incendies (2010)

109. Incendies

Robert De Niro, Val Kilmer, Al Pacino, Ted Levine, Wes Studi, Jerry Trimble, and Mykelti Williamson in Heat (1995)

112. To Kill a Mockingbird

Lin-Manuel Miranda in Hamilton (2020)

113. Hamilton

Paul Newman and Robert Redford in The Sting (1973)

114. The Sting

Leila Hatami and Payman Maadi in A Separation (2011)

115. A Separation

Sean Connery, Harrison Ford, Denholm Elliott, Michael Byrne, Alison Doody, and John Rhys-Davies in Indiana Jones and the Last Crusade (1989)

116. Indiana Jones and the Last Crusade

Brigitte Helm in Metropolis (1927)

117. Metropolis

Bruce Willis in Die Hard (1988)

118. Die Hard

Aamir Khan and Darsheel Safary in Like Stars on Earth (2007)

119. Like Stars on Earth

Brad Pitt, Benicio Del Toro, Dennis Farina, Vinnie Jones, Jason Statham, and Ade in Snatch (2000)

120. Snatch

Lamberto Maggiorani and Enzo Staiola in Bicycle Thieves (1948)

121. Bicycle Thieves

Kim Basinger, Russell Crowe, Kevin Spacey, Danny DeVito, and Guy Pearce in L.A. Confidential (1997)

122. L.A. Confidential

Robert De Niro in Taxi Driver (1976)

123. Taxi Driver

George MacKay and Dean-Charles Chapman in 1917 (2019)

125. Downfall

Dangal (2016)

126. Dangal

Clint Eastwood and Lee Van Cleef in For a Few Dollars More (1965)

127. For a Few Dollars More

Christian Bale in Batman Begins (2005)

128. Batman Begins

Tom Cruise in Top Gun: Maverick (2022)

129. Top Gun: Maverick

Marilyn Monroe, Tony Curtis, and Jack Lemmon in Some Like It Hot (1959)

130. Some Like It Hot

Charles Chaplin and Jackie Coogan in The Kid (1921)

131. The Kid

Leonardo DiCaprio and Jonah Hill in The Wolf of Wall Street (2013)

132. The Wolf of Wall Street

Anthony Hopkins and Olivia Colman in The Father (2020)

133. The Father

Viggo Mortensen and Mahershala Ali in Green Book (2018)

134. Green Book

All About Eve (1950)

135. All About Eve

Marlene Dietrich, Judy Garland, Burt Lancaster, Spencer Tracy, Montgomery Clift, Maximilian Schell, and Richard Widmark in Judgment at Nuremberg (1961)

136. Judgment at Nuremberg

Jim Carrey in The Truman Show (1998)

137. The Truman Show

Daniel Day-Lewis in There Will Be Blood (2007)

138. There Will Be Blood

Robert De Niro, Sharon Stone, and Joe Pesci in Casino (1995)

139. Casino

Ran (1985)

141. Shutter Island

Pan's Labyrinth (2006)

142. Pan's Labyrinth

Jeff Goldblum, Richard Attenborough, Laura Dern, Sam Neill, Ariana Richards, BD Wong, Joseph Mazzello, Martin Ferrero, and Bob Peck in Jurassic Park (1993)

143. Jurassic Park

Haley Joel Osment in The Sixth Sense (1999)

144. The Sixth Sense

Clint Eastwood, Morgan Freeman, Gene Hackman, and Richard Harris in Unforgiven (1992)

145. Unforgiven

Russell Crowe in A Beautiful Mind (2001)

146. A Beautiful Mind

Humphrey Bogart, Tim Holt, and Walter Huston in The Treasure of the Sierra Madre (1948)

147. The Treasure of the Sierra Madre

Javier Bardem and Josh Brolin in No Country for Old Men (2007)

148. No Country for Old Men

Toshirô Mifune and Tatsuya Nakadai in Yojimbo (1961)

149. Yojimbo

Uma Thurman in Kill Bill: Vol. 1 (2003)

150. Kill Bill: Vol. 1

The Thing (1982)

151. The Thing

John Cleese, Terry Gilliam, Graham Chapman, Eric Idle, Terry Jones, Michael Palin, and Monty Python in Monty Python and the Holy Grail (1975)

152. Monty Python and the Holy Grail

Richard Attenborough, Steve McQueen, and James Garner in The Great Escape (1963)

153. The Great Escape

Albert Brooks, Ellen DeGeneres, and Barry Humphries in Finding Nemo (2003)

154. Finding Nemo

Toshirô Mifune and Machiko Kyô in Rashomon (1950)

155. Rashomon

John Hurt in The Elephant Man (1980)

156. The Elephant Man

Jack Nicholson and Faye Dunaway in Chinatown (1974)

157. Chinatown

Howl's Moving Castle (2004)

158. Howl's Moving Castle

Grace Kelly and Anthony Dawson in Dial M for Murder (1954)

159. Dial M for Murder

Clark Gable and Vivien Leigh in Gone with the Wind (1939)

160. Gone with the Wind

Natalie Portman and Hugo Weaving in V for Vendetta (2005)

161. V for Vendetta

Robert De Niro in Raging Bull (1980)

162. Raging Bull

Jake Gyllenhaal and Hugh Jackman in Prisoners (2013)

163. Prisoners

Jason Flemyng, Dexter Fletcher, Vinnie Jones, Jason Statham, and Nick Moran in Lock, Stock and Two Smoking Barrels (1998)

164. Lock, Stock and Two Smoking Barrels

Ricardo Darín and Soledad Villamil in The Secret in Their Eyes (2009)

165. The Secret in Their Eyes

Lewis Black, Bill Hader, Amy Poehler, Phyllis Smith, and Mindy Kaling in Inside Out (2015)

166. Inside Out

Willem Dafoe, Jamie Foxx, Rhys Ifans, Benedict Cumberbatch, Zendaya, and Tom Holland in Spider-Man: No Way Home (2021)

167. Spider-Man: No Way Home

Woody Harrelson, Frances McDormand, and Sam Rockwell in Three Billboards Outside Ebbing, Missouri (2017)

168. Three Billboards Outside Ebbing, Missouri

Alec Guinness, William Holden, Jack Hawkins, Sessue Hayakawa, Geoffrey Horne, and Ann Sears in The Bridge on the River Kwai (1957)

169. The Bridge on the River Kwai

Ewan McGregor, Robert Carlyle, Jonny Lee Miller, Ewen Bremner, and Kelly Macdonald in Trainspotting (1996)

170. Trainspotting

Fargo (1996)

172. Warrior

Clint Eastwood in Gran Torino (2008)

173. Gran Torino

Leonardo DiCaprio and Tom Hanks in Catch Me If You Can (2002)

174. Catch Me If You Can

Cheryl Chase, Dakota Fanning, Noriko Hidaka, Lisa Michelson, Chika Sakamoto, Hitoshi Takagi, Frank Welker, and Elle Fanning in My Neighbor Totoro (1988)

175. My Neighbor Totoro

Clint Eastwood, Morgan Freeman, and Hilary Swank in Million Dollar Baby (2004)

176. Million Dollar Baby

Joan Cusack, Jason Schwartzman, Rashida Jones, Sergio Pablos, Will Sasso, J.K. Simmons, and Neda Margrethe Labba in Klaus (2019)

178. Harry Potter and the Deathly Hallows: Part 2

Children of Heaven (1997)

179. Children of Heaven

Harrison Ford and Sean Young in Blade Runner (1982)

180. Blade Runner

Chiwetel Ejiofor in 12 Years a Slave (2013)

181. 12 Years a Slave

Ethan Hawke and Julie Delpy in Before Sunrise (1995)

182. Before Sunrise

The Grand Budapest Hotel (2014)

183. The Grand Budapest Hotel

Ben-Hur (1959)

184. Ben-Hur

The Gold Rush (1925)

185. The Gold Rush

Ben Affleck in Gone Girl (2014)

186. Gone Girl

Barry Lyndon (1975)

187. Barry Lyndon

Andrew Garfield in Hacksaw Ridge (2016)

188. Hacksaw Ridge

Marlon Brando in On the Waterfront (1954)

189. On the Waterfront

Daniel Day-Lewis in In the Name of the Father (1993)

190. In the Name of the Father

Memories of Murder (2003)

191. Memories of Murder

Buster Keaton in The General (1926)

192. The General

Robert De Niro and Christopher Walken in The Deer Hunter (1978)

193. The Deer Hunter

Wild Strawberries (1957)

194. Wild Strawberries

Rita Cortese, Ricardo Darín, Darío Grandinetti, Oscar Martínez, María Marull, Erica Rivas, Leonardo Sbaraglia, and Julieta Zylberberg in Wild Tales (2014)

195. Wild Tales

The Third Man (1949)

196. The Third Man

The Wages of Fear (1953)

197. The Wages of Fear

Buster Keaton in Sherlock Jr. (1924)

198. Sherlock Jr.

Robin Williams in Dead Poets Society (1989)

199. Dead Poets Society

Charlize Theron and Tom Hardy in Mad Max: Fury Road (2015)

200. Mad Max: Fury Road

Billy Crystal and John Goodman in Monsters, Inc. (2001)

201. Monsters, Inc.

James Stewart, Jean Arthur, Claude Rains, Edward Arnold, Beulah Bondi, Guy Kibbee, Thomas Mitchell, and Eugene Pallette in Mr. Smith Goes to Washington (1939)

202. Mr. Smith Goes to Washington

Susan Backlinie in Jaws (1975)

204. How to Train Your Dragon

Mary and Max (2009)

205. Mary and Max

Christian Bale and Matt Damon in Ford v Ferrari (2019)

206. Ford v Ferrari

The Seventh Seal (1957)

207. The Seventh Seal

Brie Larson and Jacob Tremblay in Room (2015)

209. The Big Lebowski

Setsuko Hara and Chishû Ryû in Tokyo Story (1953)

210. Tokyo Story

Janeane Garofalo, Ian Holm, Peter O'Toole, Brian Dennehy, John Ratzenberger, James Remar, Will Arnett, Brad Garrett, Kathy Griffin, Brad Bird, Lindsey Collins, Walt Dohrn, Tony Fucile, Michael Giacchino, Bradford Lewis, Danny Mann, Teddy Newton, Patton Oswalt, Lou Romano, Peter Sohn, Jake Steinfeld, Stéphane Roux, Lori Richardson, Thomas Keller, Julius Callahan, Marco Boerries, Andrea Boerries, and Jack Bird in Ratatouille (2007)

211. Ratatouille

Sylvester Stallone and Talia Shire in Rocky (1976)

213. Hotel Rwanda

Hugh Jackman in Logan (2017)

215. Spotlight

Maria Falconetti and Eugene Silvain in The Passion of Joan of Arc (1928)

216. The Passion of Joan of Arc

Charlie Sheen, Willem Dafoe, John C. McGinley, and Kevin Eshelman in Platoon (1986)

217. Platoon

Arnold Schwarzenegger in The Terminator (1984)

218. The Terminator

Suriya and Lijo Mol Jose in Jai Bhim (2021)

219. Jai Bhim

Ethan Hawke and Julie Delpy in Before Sunset (2004)

220. Before Sunset

Daniel Brühl and Chris Hemsworth in Rush (2013)

222. Network

Max von Sydow in The Exorcist (1973)

223. The Exorcist

Dana Andrews, Myrna Loy, Fredric March, Virginia Mayo, and Teresa Wright in The Best Years of Our Lives (1946)

224. The Best Years of Our Lives

Stand by Me (1986)

225. Stand by Me

Vincent Cassel in La haine (1995)

226. La haine

Judy Garland, Ray Bolger, Jack Haley, Bert Lahr, and Frank Morgan in The Wizard of Oz (1939)

227. The Wizard of Oz

Johnny Depp, Geoffrey Rush, Orlando Bloom, and Keira Knightley in Pirates of the Caribbean: The Curse of the Black Pearl (2003)

228. Pirates of the Caribbean: The Curse of the Black Pearl

Samuel L. Jackson, Holly Hunter, Jason Lee, Craig T. Nelson, Brad Bird, Sarah Vowell, and Spencer Fox in The Incredibles (2004)

229. The Incredibles

Emile Hirsch in Into the Wild (2007)

230. Into the Wild

Hümeyra, Fikret Kuskan, Çetin Tekindor, Özge Özberk, and Ege Tanman in My Father and My Son (2005)

231. My Father and My Son

Jack Benny and Carole Lombard in To Be or Not to Be (1942)

232. To Be or Not to Be

Richard Gere in Hachi: A Dog's Tale (2009)

233. Hachi: A Dog's Tale

Kim Min-hee, Ha Jung-woo, Cho Jin-woong, and Kim Tae-ri in The Handmaiden (2016)

234. The Handmaiden

Henry Fonda, John Carradine, Jane Darwell, Dorris Bowdon, Frank Darien, and Russell Simpson in The Grapes of Wrath (1940)

235. The Grapes of Wrath

Fusia El Kader, Brahim Hadjadj, and Jean Martin in The Battle of Algiers (1966)

236. The Battle of Algiers

Bill Murray and Andie MacDowell in Groundhog Day (1993)

237. Groundhog Day

Emilio Echevarría, Gael García Bernal, and Goya Toledo in Amores Perros (2000)

238. Amores Perros

The Sound of Music (1965)

239. The Sound of Music

Joan Fontaine and Laurence Olivier in Rebecca (1940)

240. Rebecca

Paul Newman in Cool Hand Luke (1967)

241. Cool Hand Luke

Subir Banerjee in Pather Panchali (1955)

242. Pather Panchali

Jennifer Aniston, Harry Connick Jr., John Mahoney, Christopher McDonald, Vin Diesel, and Bob Bergen in The Iron Giant (1999)

243. The Iron Giant

Clark Gable and Claudette Colbert in It Happened One Night (1934)

244. It Happened One Night

Viola Davis, Bryce Dallas Howard, Octavia Spencer, and Emma Stone in The Help (2011)

245. The Help

The 400 Blows (1959)

246. The 400 Blows

Bibi Andersson and Liv Ullmann in Persona (1966)

247. Persona

Robin Williams, Jonathan Freeman, Gilbert Gottfried, Linda Larkin, Douglas Seale, Scott Weinger, and Frank Welker in Aladdin (1992)

248. Aladdin

John Cleese, Terry Gilliam, Graham Chapman, Eric Idle, Terry Jones, Michael Palin, and Monty Python in Life of Brian (1979)

249. Life of Brian

Tabu, Ajay Devgn, Shriya Saran, Ishita Dutta, and Mrunal Jadhav in Drishyam (2015)

250. Drishyam

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  • Shorts, TV movies, and documentaries are not included
  • The list is ranked by a formula which includes the number of ratings each movie received from users, and value of ratings received from regular users
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movie ratings 16

Film Classifications Explained: A Guide to Age Ratings

You may be familiar with seeing a large 'PG' or 'R' flash on your screen before a movie begins. Most have a general idea of what these age ratings mean and how they indicate the appropriateness of a film's content. However, they may not understand the process or the criteria for how movies are classified. Today, most movies are released on multiple online platforms and movie theaters simultaneously. As a result, worldwide audiences have more access to internationally produced content than ever before, so understanding age ratings for films is more important than ever. This post discusses US film ratings are determined, explains the different movie classifications, and how they are essential in international distribution. 

Why Are There Movie Ratings?

In the United States, the MPAA (Motion Picture Association of America), an industry, non-governmental organization, created the current rating system in 1968. It is designed to educate and inform parents to make appropriate movie-viewing choices for their children and families and provide a unified classification of film titles. This system was created to prevent the film industry from simply denying a film’s distribution based on a set of moral standards on which not everyone may agree.

Many countries, including some of the world's largest movie markets, utilize governmental censors or regulators to provide age ratings. Unlike the US, where the banning of films is extremely rare, movies and TV shows are routinely censored or banned in countries like China, Russia, Malaysia, and several Middle Eastern countries.

What are the Ratings Used in Film Classifications?

Content is classified for audience suitability based on several factors. Most countries have a unique set of ratings, possibly none, but many classification systems look at similar influencing factors to determine an age rating. Elements such as language, sex, nudity, drug use, violence, horror, discrimination, and other dangerous behavior are common citations for different age ratings. 

The same five movie age ratings in the United States have been in place since 1990 when the NC-17 rating was introduced to replace the former X-rating. We detail the individual ratings below. 

General Audiences (G): This rating is generally viewed as accessible for all ages. Ideally, this rating is given to a movie deemed appropriate enough for children to watch without any permission or guidance from parents or adult guardians. 

Parental Guidance Suggested (PG): With PG ratings, a parent may or may not need to make a judgment call if the material is suitable for their children. Typically, PG films may include animated violence or language that may not be suitable for younger children. In this case, a parent may accompany a child to a viewing at a movie theater. 

Parents Strongly Cautioned (PG-13): This rating may be newer than you realized, having been created in 1984 to alert parents of slightly intense content. This rating gets the name PG-13 as it suggests the movie may not be appropriate for pre-teenage children. Themes such as stronger language and more graphic violence or horror may be prevalent in films with PG-13 ratings. Parents should be cautious and accompany children under 13 to see a movie with this rating.

Restricted (R): A movie with an R rating will certainly contain adult content. This means parents would be wise to learn more about the film before deciding whether to allow a child to accompany them to watch this movie. Anyone under 17 needs a parent or adult guardian present to be admitted to a film screening.

No One 17 and Under Admitted (NC-17): NC-17 ratings flag parents the movie in question is clearly for adult eyes only, and children will not be permitted to any movie theater showings, regardless of granted adult permission or not. Whereas other movie ratings allow parents to choose what their children get to see, the NC-17 rating was proposed by the National Association of Theater Owners (NATO) to prevent legal action from happening.

It is not a requirement for films or TV shows to be submitted for a rating in the US—unless they seek commercial release. A movie is labeled as unrated (UR) or not rated (NR) if no rating is sought or available. This is not common. While some filmmakers may elect not to have their films rated, they significantly reduce the work's commercial and financial opportunities. Many platforms and theaters refuse to exhibit unrated, or NC-17 films (mostly because there is little market for them), and many online platform search algorithms automatically exclude such content in their results.

How Are U.S. Movie Ratings Determined?

The MPAA ratings board consists of three MPAA staff “senior raters” and no more than ten anonymous parental members, all with kids between the ages of five and 15. Members are limited to seven year terms, or until their youngest child turns 21, whichever comes first. These board members make up a group known as the Classification and Rating Administration (CARA). Members view submitted films, discuss their thoughts, and vote on a final rating. The findings are then reported to a producer of the film. The determined rating can always be disputed by the filmmaker or re-submitted once appropriate edits are made to adjust the movie's rating before release. An appeals board can overturn rating decisions by a majority vote.

Ratings are established for the life of the film. Only in cases where revisions are made, additional content added (e.g., a “Director’s Cut”), country regulatory edits are required, or the producer appeals will the MPAA reconsider re-rating a film.

For example, the MPAA originally wanted to rate Steven Spielberg’s 1984 film “Indiana Jones and the Temple of Doom” with an “R” rating due to the graphic depiction of a beating heart torn from a man’s chest and child slavery. Spielberg argued an “R” was too restrictive while acknowledging the film’s PG rating caused difficulty for many parents given the content. He called on the MPAA to create a new rating between PG and R. The MPAA obliged, creating the PG-13 rating.

Spherex: Localized Age Ratings Services Provider

As the industry authority on local age ratings globally, our mission at Spherex is to inspire a more tolerant and harmonious world, one story at a time. When it comes to movies and TV shows, one size does not fit all. To assist filmmakers in reaching international audiences, Spherex has introduced a first-of-its-kind technology that culturally adapts content for markets worldwide to increase engagement, drive more revenue faster, and avoid legal and regulatory risk. Known as Spherex greenlight ™ this technology provides content creators with the information they need to tailor their title to fit any appropriate age rating and find their best market.

Take the guesswork out of film classification and the risk out of international expansion. Contact us today!

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movie ratings 16

Movie Ratings

PG-13 Rating

NC-17 Rating

Motion Picture Association of America – Movie Ratings

To view our family movie reviews and ratings for a specific movie title click here.

For more information on the MPAA click here

The  Motion Picture Association of America  (MPAA) is the self-regulatory body for the film industry. It is the American branch of the Motion Picture Association, and was actually founded before the MPA, back in 1922. At that time, the film industry was subjected to criticisms about its content, even though films at the time were still silent. The MPAA convened to deflect this criticism and also to help unify and regulate the film industry.

For the first 40 years or so, they did this with an Old Testament style mandates list. Thou shalt make good films; thou shalt not include obscenity, and the like. The rules were compiled in the Hays Production Code. These guidelines were based on common sense and the social sensibilities of the times, and they gradually accumulated over the years. However, during the cultural changes that took place in the 60’s, these guidelines became limits that film makers felt it was their artistic duty to push.

In 1966 the conflict between film makers and the MPAA came to a head. One of the films cited as an impetus for change was the film Blow-Up; it was the first major production film that also featured nudity. The film was denied a seal of approval, which was necessary for a film to be distributed by a member of the MPAA. The company distributing the film bypassed that restriction by releasing the film through a subsidiary, which created waves in the industry.

The result of this was the abolition of the Production Code. Even the president of the MPAA at the time felt that the Production Code smacked of censorship, and wanted a better alternative to regulating the film industry. After months of negotiations, the first incarnation of our modern ratings system was unveiled to the world. The ratings system seemed to please all parties. It allowed film makers the right to include whatever they felt necessary for the artistic integrity of their films in them. It allowed parents a system of easy categorization so they could choose which films were appropriate for their children. It gave the government the tools to restrict access of children to material that was inappropriate for them. And it gave the MPAA reason for continued existence after film companies began openly flaunting the old regime.

The MPAA’s initial rating system featured four ratings. G was for general audiences, anyone could go to the movie. M was for mature audiences, parents were cautioned but anyone could come to the movie. R was for restricted audiences, children under 16 needed a parent to get in. (this was later changed to 17) X rated movies were for adult audiences only. The initial rating system fell short because parents felt more strongly against M rated movies than R rated ones, even though the reverse was intended. So later the rating was changed from M to PG. In 1984 the PG category was subdivided into PG and PG-13 movies, which was intended to let parents know that some movies may be suitable for older children, but not younger.

Today any movie commercially released in America features a rating. The rating is comprised of the rating symbol (G, PG, PG-13, R, or NC-17) along with a brief description of why the film received that rating. Common reasons cited are violence, language, nudity, sexuality, drug use, and adult situations, but that list is far from comprehensive. The intent is to allow parents to make a good decision about which movies are appropriate for their family based on the content of the movies. For example a parent may feel comfortable letting their child watch a movie that is PG 13 for adult situations and language, but not one rated the same for violence and sexual context.

The MPAA has a rigorous review system in place for all films submitted to it, as well as parental resources. One example is their red carpet ratings system, which emails parents the ratings information for movies coming out every week. For more information on film ratings, how they are derived, and what they mean for your family, please visit the  MPAA website at  www.mpaa.org .

What Do The Movie Ratings Really Mean?

The Motion Picture Association of America is the self-regulatory body for the film industry.

Although, these ratings are just the beginning; for parents who need to determine if a movie is appropriate for their children, taking into consideration not only age but subject matter, maturity of the child and your family values.

We offer parents reviews from our family to help make a decision.

Please click on the graphic for each rating below to learn more.

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movie ratings 16

A Guide to Understanding Movie Ratings

movie rating system

The movie rating system is a way for parents to know whether or not their kids should watch a given film. It’s important to note that even if a film has been rated PG-13, it doesn’t mean that all children under 13 should be allowed to see the movie. It’s the parent’s decision to make.

The ratings are designed to serve as guidelines for parents and guardians. In general, any child who is 16 or younger should not be seeing an R-rated film without parental supervision. Additionally, any child who is 17 or older should be able to see any film regardless of its rating (with the exception of NC-17).

Here’s what each rating means:

G – General Audiences

The G rating is the most common rating for family films. These movies are suitable for all ages, so you don’t have to worry about your kids seeing anything inappropriate. The main thing that a movie needs to get a G rating is no sex or nudity, and no violence or swearing.

PG – Parental Guidance Suggested

You’ve probably seen a PG movie or two, but you may not know exactly what it means. The rating comes from the Motion Picture Association of America (MPAA), who rate films based on their content. There are three levels of ratings: G (for General Audiences), PG (Parental Guidance Suggested), and R (Restricted). The rating most commonly associated with this category is PG-13, which falls just shy of an R rating. When you see a movie with a “PG” rating, parents should be aware that the film may contain some violence or other mature content that could potentially disturb younger children. This is especially true if they have yet to develop critical thinking skills around these types of issues.

PG-13 – Parents Strongly Cautioned

PG-13 movies are considered okay for teenagers 13 years of age and older, but parents are urged to use their own discretion before allowing their children to see them. Some PG-13 movies contain profanity and violence, as well as some sexual content. The Hunger Games is an example of a PG-13 movie that’s appropriate for adults and teens 13 years of age or older because it contains some mild profanity, violence and brief nudity.

R – Restricted; Children Under 17 Require Accompanying Parent or Adult Guardian

You may not be able to watch R-rated movies without a parent or adult guardian, but that doesn’t mean you shouldn’t be aware of them. Movies rated R contain graphic violence, explicit language, and nudity—and those are just the things that parents don’t want their children exposed to! If you’re still interested in this type of content (and legally old enough), check out some examples at the end of this article.

NC-17 – No One 17 and Under Admitted

If you see the NC-17 rating on a movie, it means no one under 17 will be allowed in the theater. This is not a bad thing! It’s a rating that has been around since 1990 and can be used in any type of film (not just R-rated movies). The first ever NC-17 film was Henry & June, a drama based on Anaïs Nin’s book by the same name. The movie chronicles the love affair between Henry Miller and his second wife June Miller, who were important figures in post-war literature during their time together in Paris. Despite having an R rating due to its nudity and sexual acts depicted on camera, Henry & June was released without issue under this new category of “adults only” films due to its artistic value being considered too high for children or teenagers to see at home without supervision from their parents first!

There are several movie ratings, but they all mean the same thing.

There are several movie ratings, but they all mean the same thing. The Motion Picture Association of America (MPAA) provides ratings for movies based on the opinions of a panel of parents who watch the film and rate it based on its content. These ratings are not legally binding, so they’re more like guidelines than rules. Some people think that these ratings don’t go far enough in explaining what’s in a film or what makes it inappropriate for some viewers to see alone or with younger children, but if you’re unsure about whether or not your child should see a particular movie, you can always look up its rating online before taking them to see it at the theater!

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2018, Sci-fi/Mystery & thriller, 1h 42m

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Girls in a prison-like boarding school embark on a desperate search to uncover the awful truth behind their captivity.

Genre: Sci-fi, Mystery & thriller

Original Language: English

Director: Danishka Esterhazy

Producer: Michael McNamara , Judy Holm

Writer: Danishka Esterhazy

Release Date (Theaters): Mar 1, 2019  limited

Release Date (Streaming): Mar 1, 2019

Runtime: 1h 42m

Production Co: Markham Street Films

Cast & Crew

Katie Douglas

Celina Martin

Sara Canning

Miss Brixil

Peter Outerbridge

Amalia Williamson

Kate Vickery

Josette Halpert

Kiana Madeira

Sydney Ozerov-Meyer

Sarah DaSilva

Young Vivien

Joelle Farrow

Young Sofia

Danishka Esterhazy

Screenwriter

Michael McNamara

James Weyman

Executive Producer

Samy Inayeh

Cinematographer

Jorge Weisz

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Amazon Prime Video maturity ratings

  • View history

Amazon Prime Video has its own internal ratings system that is occasionally used alongside and in place of local content ratings.

Ratings [ ]

  • Kids (All): Suitable for general audiences. Equivalent to G (MPA), and TV-Y and TV-G (TV).
  • Older Kids (7+): Recommended for children ages 7 and up. Equivalent to PG (MPA), and TV-Y7(-FV) and TV-PG (TV).
  • Teens (13+): Recommended for teenagers ages 13 and up. Equivalent to PG-13 (MPA).
  • Young Adults (16+): Recommended for older teenagers ages 16 and up. Equivalent to TV-14 (TV).
  • Adults (18+): Recommended for adults ages 18 and up. Equivalent to R, NC-17, NR, and UR (MPA) and TV-MA (TV).

Equivalents in other rating systems can be consulted here .

  • 2 TV Parental Guidelines
  • 3 PG-13 (MPA)

movie ratings 16

The Film Rating System

Empowering families to make informed movie choices.

Visit FilmRatings.com for more information.

movie ratings 16

General Audiences: G - All ages admitted. Nothing that would offend parents for viewing by children

Atlas Cinemas Policy: Infants are only permitted into G and PG rated features, and must be held.

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Parental Guidance Suggested: PG - Some material may not be suitable for children. Parents urged to give parental guidance. May contain some material parents might not like for their young children.

PG - Parental Guidance Suggested: PG - Some material may not be suitable for children. Parents urged to give parental guidance. May contain some material parents might not like for their young children.

movie ratings 16

Parental Strongly Cautioned: PG-13 - Some material may be inappropriate for children under 13. Parents are urged to be cautious. Some material may not be appropriate for pre-teenagers.

Atlas Cinemas Policy: Infants are NOT permitted into PG-13 and R rated features.

movie ratings 16

Restricted: R - Under 17 requires accompanying parent or adult guardian. Contains some adult material. Parents are urged to learn more about the film before taking their young children with them.

Atlas Cinemas Policy: Children under 17 must be accompanied by a parent or adult guardian over the age of 21 for R-rated movies. I.D. is required for proof of age. Children under 6 years of age are not permitted into R-rated features at all.

movie ratings 16

Other labels: If a film has not been submitted for a rating or is an uncut version of a film that was submitted, the labels Not Rated (NR) or Unrated (UR) are often used. Uncut/extended versions of films that are labeled "Unrated" also contain warnings saying that the uncut version of the film contains content that differs from the theatrical release and might not be suitable for minors.

If a film has not yet been assigned a final rating, the label This Film Is Not Yet Rated is used in trailers and television commercials.

© 2023 Atlas Cinemas

movie ratings 16

GUIDE TO RATINGS

Would you like to learn more about the Rating System, such as what type of content fits into the different rating categories, the criteria for raters, and the appeal process? View the Ratings Guide below.

CLASSIFICATION AND RATINGS RULES Updated July 24, 2020

Want to know more about the over 60,000 pieces of movie advertising submitted annually? Check out the Advertising Handbook below, which include how advertisements are reviewed and approved to play with compatible programming, and the rating information they provide.

ADVERTISING ADMINISTRATION RULES

Download our Ratings Poster below for additional information.

RATINGS POSTERS

movie ratings 16

WHAT IS THE PURPOSE OF THE RATING SYSTEM?

Movie ratings provide parents with advance information about the content of movies to help them determine what movies are appropriate for their children at any age. After all, parents are best suited to knowing each of their children’s individual sensitivities and sensibilities to pick movies for them. Ratings are assigned by a board of parents who consider factors such as violence, sex, language and drug use, then assign a rating they believe the majority of American parents would give a movie.

DO RATINGS INDICATE IF A MOVIE IS GOOD OR BAD?

No. Audiences and film critics make these determinations. The ratings are not intended to approve, disapprove or censor any movie. Rather, ratings offer guidance to parents regarding the level of content in a movie.

DO ALL MOVIES HAVE TO BE RATED?

No. Submitting a movie for a rating is a voluntary decision made by filmmakers. However, the overwhelming majority of filmmakers have their movies rated, and each member of the Motion Picture Association has agreed to have all its theatrically released movies rated.

WHAT ABOUT MOVIE ADVERTISING IN THEATERS AND BEYOND?

In conjunction with our process of reviewing and rating movies, we take every step possible to ensure that all advertising content is suitable for the particular audience that views it. We review more than 60,000 pieces of marketing each year, including theatrical, home video and online trailers, print ads, radio and TV spots, press kits, billboards, bus shelters, posters and other promotional materials. Our goal is to give parents the same confidence in movie advertising that they have in the movie rating system, while also allowing filmmakers to responsibly market their movies to their intended audiences.

The key to movie advertising is compatibility. Advertising for rated films is not rated, nor does the advertising content carry the rating of the full feature film. With trailers, we consider many factors to ensure their compatibility with the feature; on TV, we consider compatibility to the programming; and with online content, we consider the compatibility and user base age demographic breakdown for the intended online destination. Ultimately, we strive to make sure that if parents are comfortable with the content of the feature, TV programming or other media, then they will be comfortable with the trailers or other ads that go with them.

CHECK THE BOX

Use the rating system to “Check the Box” and decide if a film is right for your family. The information in the box includes the letter rating, designating the level of content in the movie, and also the descriptor, giving a snapshot of the elements in the movie that lead to that rating.

The Check the Box campaign further enhances our educational tools for parents, with an updated rating block and trailer tag. As demonstrated below, the trailer tag gets to the point and tells audiences that the trailer they are watching is approved to play with the feature they came to see. This does not represent a change in the way we approve trailers and other movie advertising, but rather a clearer and more accurate reflection of our approval process. This process considers various factors, including the content and rating of the feature and the advertised movie, in approving trailers that are compatible with the feature and its content.

The rating block features a more prominent rating descriptor box. Rating descriptors have been an element of every PG, PG-13, R and NC-17 rating since 1990, and each descriptor will continue to be tailored for every individual movie, as they have always been. The new box places a renewed emphasis on the descriptor to encourage parents to use this important information when making movie choices for their families.

Below you will find an image illustrating the changes between the old theatrical trailer tag and the updated theatrical trailer tag and rating box.

movie ratings 16

movie ratings 16

MSU Extension Child & Family Development

What do movie ratings mean.

Kendra Moyses , Michigan State University Extension - September 27, 2017

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Learn what movie ratings mean and how to use them to choose movies for your children.

movie ratings 16

You may be surprised to find out that the movie ratings given to current movies were originally designed by the Motion Picture Association of America (MPAA) back in 1968. The current rating system we use was created in response to a previous self-censorship system that was created in 1922, known as the Hays Code, when the MPAA was founded and led by William Hays. The Hays Code was developed to ensure the absence of “offensive material” and prevent government interference in filmmaking.

The current rating system we have in the United States is voluntary and requires a fee for having material go through the rating process. The rating process is handled by the Classifications and Ratings Administration (CARA) by a rating board that is made up of a group of independent parents that is charged with giving ratings to films that “give parents clear, concise information about a films content, in order to help them determine whether a movie is suitable for their children,” according to a CARA brochure

During the rating process, the rating board considers things like language, sex, violence, drug use and other situations that might concern most parents. The ratings board tries to reflect what they think the majority of other parents would give the film in ratings.

Ratings are not designed to indicate that films are appropriate or inappropriate, they are simply a way of saying what kind of content is included in the movie to give parents a chance to make informed decisions on what they are allowing their children to watch. When you are looking at ratings, look at the three parts included in a rating.

  • The rating letter (G, PG, PG-13, R or NC-17)—this indicates the level of content.
  • The rating definition—this is generally included in the lower box of the rating itself and gives a more detailed explanation of what that rating means. Some statements may include, “Some Material May Be Inappropriate for Children Under 13” or “Some Material May Not Be Suitable for Children.”
  • The rating descriptors—these are usually put to the right of the rating letter. This is always unique to each film, but gives more details about why the film received a certain rating. Some statements may include “Extended sequences of intense fantasy action violence, and frightening images” or “For sequences of strong violence, language throughout, and some sexuality/nudity” or “Mild language and some crude humor.”

What do the movie ratings mean? Take a look below at the information offered from CARA .

G: General Audiences, All Ages Admitted. Contains nothing in theme, language, nudity, sex, violence or other matters that the in-view of the Rating Board would offend parents whose younger children view the motion picture. It’s important to note that a “G” rating does not automatically make the movie a children’s movie or is an approval of the movie for children.

PG: Parental Guidance Suggested, Some Material May Not Be Suitable for Children. The film should be investigated further by parents. There may be some content such as language, violence or brief nudity, but they aren’t so intense that more than guidance is suggested. Remember, the content will vary with each movie, so check the specific movie rating for the film you are researching.

PG-13: Parents Strongly Cautioned, Some Material May Be Inappropriate for Children Under 13. This rating is a stronger caution for parents that content included may not be appropriate for children under 13 (pre-teen ages). This may include stronger language, extended violence or sexual situations and drug-use. Remember, the content will vary with each movie, so check the specific movie rating for the film you are researching.

R: Restricted, Children Under 17 Require Accompanying Parent or Adult Guardian. This rating means the film contains adult material such as adult activity, harsh language, intense graphic violence, drug abuse and nudity. Most theaters have their own policies regarding R rated movies and some include checking IDs of those who look under 17 purchasing tickets, allowing only parents to purchase tickets and accompany those under 17 into the movie, or just stating it has to be an adult guardian (not necessarily a parent) and that guardian has to purchase the tickets and accompany under 17 ages the entire time. Check with your theater on the policies and other parents about what you will allow your children to watch.

NC-17: No One 17 and Under Admitted. These films are too adult for children. The rating doesn’t mean that they are obscene or pornographic, but that the content is only appropriate for adult audiences.

Michigan State University Extension suggests doing the following when you are reviewing movie ratings.

  • Review movie ratings critically. Start with the movie rating, but look at all parts of the rating. Look at the definitions and descriptions. Use these ratings as a guideline for your family movie viewing.
  • Communicate your expectations. Once you’ve decided as a family what ratings are acceptable, talk about that with your children, their friends and other adults they might watch movies with so everyone knows what is allowed when it comes to ratings.
  • Talk about the movie. It helps kids to process what they’ve just seen if they can talk about it with a trusted adult. Talk about the positive content that you want to give as examples to your kids. Talk about the negative content and how it conflicts with what your family believes or values.
  • Watch the content first. Just like using technology or apps, it’s important for parents to view movies before their children see them, especially when watching PG or PG-13 movies. Watching the movie before your child allows you to see firsthand what content is included and helps you develop a plan for how to talk about it with your child.
  • Be open. Many kids will watch movies their parents don’t want them seeing; however, it’s important to encourage kids to talk to you about what they are watching so you can help them process the content they have seen and answer questions for them.
  • Check out viewer reviews. Sometimes the actual movie rating doesn’t give a complete picture. Many movies will have viewer reviews that you can read online that give more details about content and what’s included in the movie.

For more resources related to movie ratings, check out these websites:

  • The Classifications & Rating Administration (CARA)
  • Common Sense Media’s Essential Movie Guide
  • American Academy of Pediatrics’ Media and Children Communication Toolkit
  • PBS Parents’ Children and Media

To learn about the positive impact children and families experience due to MSU Extension programs, read our 2016 Impact Report . Additional impact reports, highlighting even more ways Michigan 4-H and MSU Extension positively impacted individuals and communities in 2016, can be downloaded from the Michigan 4-H website .

This article was published by Michigan State University Extension . For more information, visit https://extension.msu.edu . To have a digest of information delivered straight to your email inbox, visit https://extension.msu.edu/newsletters . To contact an expert in your area, visit https://extension.msu.edu/experts , or call 888-MSUE4MI (888-678-3464).

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The Marvels Rises With High Audience Score at Rotten Tomatoes

The critics' score for The Marvels has also jumped from its initial rating from its early reviews.

While The Marvels was off to a sluggish start with its critical reception at Rotten Tomatoes, it's seeing some better numbers upon its debut in theaters.

Now playing on the big screen, The Marvels had initially debuted with a mixed rating of 54% with its early reviews from Rotten Tomatoes-approved critics, labeling the MCU film as "rotten." With more reviews having since poured in, the number on the Tomatometer has bounced up to 61%, which officially pulls The Marvels out of its "rotten" status with the film now considered to be "fresh." What's even better news for the film is that the audience score was much higher, currently sitting at 85%.

10 Superhero Trios The MCU Should Explore After The Marvels

The critics consensus on Rotten Tomatoes acknowledges that the film is not without its flaws, with its "jumbled tonal shifts," but it's also described as "funny, refreshingly brief, and elevated by the chemistry of its three leads." CBR's own Ben Wasserman similarly noted in his review for The Marvels that the movie "doesn't hit the narrative highs of Guardians of the Galaxy Vol. 3 or Spider-Man: Across the Spider-Verse , but it makes the most of its sci-fi premise with strong group chemistry, comedic timing, and a willingness to just be weird." He added that The Marvels is ultimately a "fun, action-packed time at the movies thanks to director Nia DaCosta and a charming cast."

How Will The Marvels Fare at the Box Office?

Projections for The Marvels have been fluctuating ahead of release, but the official numbers are starting to come in. The film has kicked off with $6.6 million in Thursday previews and is expected to make around $60 million to $65 million for the weekend. For comparison, the first movie, Captain Marvel , made $20.7 million in Thursday previews with a $153 million opening weekend, though that was notably before the pandemic in 2019. However, the Thursday previews are also well below other recent MCU releases, with both Ant-Man and the Wasp: Quantumania and Guardians of the Galaxy Vol. 3 banking $17.5 million in Thursday previews.

Does The Marvels Have a Post-Credits Scene?

Nia DaCosta directed The Marvels and co-wrote the script with Megan McDonnell and Elissa Karasik. It stars Brie Larson as Captain Marvel, Teyonah Parris as Monica Rambeau, and Iman Vellani as Ms. Marvel , following the trio in a cosmic adventure that sees the three of them swapping places whenever they use their powers. Zawe Ashton, Gary Lewis, Park Seo-joon, and Samuel L. Jackson also star.

The Marvels is now playing in movie theaters.

Source: Rotten Tomatoes

Boss Level Gamer

Boss Level Gamer

12 Movies With Extremely Low Ratings That Don’t Deserve It

Posted: October 27, 2023 | Last updated: October 27, 2023

<p>Critical acclaim doesn’t always align with audience appreciation in the realm of cinema. Some films may be unfairly dismissed by critics, receiving low ratings that fail to capture the true essence of their entertainment value. Here are twelve movies with meager ratings that members of an online forum believe deserve better.</p>

Critical acclaim doesn’t always align with audience appreciation in the realm of cinema. Some films may be unfairly dismissed by critics, receiving low ratings that fail to capture the true essence of their entertainment value. Here are twelve movies with meager ratings that members of an online forum believe deserve better.

<p><em>Hot Rod</em> is a delightful dose of hilarity that will have you in stitches from start to finish. Starring the talented Andy Samberg, this comedy follows Rod Kimble, an amateur stuntman with dreams of greatness. The unforgettable dialogues perfectly encapsulate its quirky humor, as pointed out by a member.</p>

1. Hot Rod (2007)

Hot Rod is a delightful dose of hilarity that will have you in stitches from start to finish. Starring the talented Andy Samberg, this comedy follows Rod Kimble, an amateur stuntman with dreams of greatness. The unforgettable dialogues perfectly encapsulate its quirky humor, as pointed out by a member.

<p>Despite receiving lukewarm reviews, it has become a cult classic, beloved by fans for its absurd humor and over-the-top antics. A user shares that they will “defend it to death.” Another mentions this is their go-to film, and they’ve seen it no less than a hundred times. Will Forte’s portrayal of the bumbling yet oddly resourceful MacGruber is nothing short of comedic brilliance.</p>

2. MacGruber (2010)

Despite receiving lukewarm reviews, it has become a cult classic, beloved by fans for its absurd humor and over-the-top antics. A user shares that they will “defend it to death.” Another mentions this is their go-to film, and they’ve seen it no less than a hundred times. Will Forte’s portrayal of the bumbling yet oddly resourceful MacGruber is nothing short of comedic brilliance.

<p>Despite its fifty-nine percent Rotten Tomatoes score, this enigmatic tale of a man searching for a missing woman in Los Angeles captivated the hearts of many. The film’s sprawling narrative and unexpected twists keep audiences on the edge of their seats. Director Robert Mitchell masterfully weaves a web of cryptic clues and eccentric characters, all tied together by Andrew Garfield’s captivating performance.</p>

3. Under the Silver Lake (2018)

Despite its fifty-nine percent Rotten Tomatoes score, this enigmatic tale of a man searching for a missing woman in Los Angeles captivated the hearts of many. The film’s sprawling narrative and unexpected twists keep audiences on the edge of their seats. Director Robert Mitchell masterfully weaves a web of cryptic clues and eccentric characters, all tied together by Andrew Garfield’s captivating performance.

<p>While it may not have been everyone’s cup of tea, this audacious film by Harmony Korine deserves a second look. Its bold approach and James Franco’s mesmerizing performance as the eccentric rapper alien delivers a unique experience that challenges conventional storytelling. Beneath its surface lies a thought-provoking commentary on youth culture and the pursuit of freedom.</p>

4. Spring Breakers (2012)

While it may not have been everyone’s cup of tea, this audacious film by Harmony Korine deserves a second look. Its bold approach and James Franco’s mesmerizing performance as the eccentric rapper alien delivers a unique experience that challenges conventional storytelling. Beneath its surface lies a thought-provoking commentary on youth culture and the pursuit of freedom.

<p>This film takes audiences on a thrilling interstellar journey fraught with danger and excitement. With its gripping story, stunning visuals, and talented cast, including Gary Sinise and Tim Robbins, the film offers a captivating ride through the vastness of space.</p>

5. Mission to Mars (2000)

This film takes audiences on a thrilling interstellar journey fraught with danger and excitement. With its gripping story, stunning visuals, and talented cast, including Gary Sinise and Tim Robbins, the film offers a captivating ride through the vastness of space.

<p>For fans of horror John Carpenter, <em>The Void</em> is a hidden gem that channels his unique style. Although not directed by Carpenter, this Lovecraftian horror flick pays homage to the master filmmaker’s works. The film’s practical effects and eerie atmosphere takes one back to classic horror movies.</p>

6. The Void (2016)

For fans of horror John Carpenter, The Void is a hidden gem that channels his unique style. Although not directed by Carpenter, this Lovecraftian horror flick pays homage to the master filmmaker’s works. The film’s practical effects and eerie atmosphere takes one back to classic horror movies.

<p><span>Ladybug is an unlucky assassin who’s determined to do his job peacefully after one too many gigs have gone off the rails. Fate, however, may have other plans as his latest mission puts him on a collision course with lethal adversaries from around the globe – all with connected yet conflicting objectives – on the world’s fastest train.</span></p>

7. Bullet Train (2022)

Despite a 54% Rotten Tomatoes score, this thrill ride provided a cinematic masterpiece that has audiences cheering. Brad Pitt’s performance was charismatic and engaging, while the cleverly executed cameos added a playful touch. Sometimes critics fail to grasp the simple joy of an action-packed film experience, as evidenced by the higher audience score of 76%.

<p>Based on the novel by Joe Hill, it is a dark and engaging supernatural thriller featuring a captivating performance by Daniel Radcliffe. Despite its forty-two percent rating on Rotten Tomatoes, this film offers a unique and intriguing premise. Radcliffe’s portrayal of a man accused of a heinous crime who begins to grow devil-like horns sets the stage for a gripping exploration of guilt, redemption, and the human psyche.</p>

8. Horns (2013)

Based on the novel by Joe Hill, it is a dark and engaging supernatural thriller featuring a captivating performance by Daniel Radcliffe. Despite its forty-two percent rating on Rotten Tomatoes, this film offers a unique and intriguing premise. Radcliffe’s portrayal of a man accused of a heinous crime who begins to grow devil-like horns sets the stage for a gripping exploration of guilt, redemption, and the human psyche.

<p>This mind-bending and hauntingly memorable movie lingers in the mind long after the credits roll. With stellar performances from Imogen Poots and Jesse Eisenberg, the film takes viewers on an unsettling journey. Its exploration of suburban horror and existential dread is refreshingly original, making it a standout in the sci-fi thriller genre.</p>

9. Vivarium (2019)

This mind-bending and hauntingly memorable movie lingers in the mind long after the credits roll. With stellar performances from Imogen Poots and Jesse Eisenberg, the film takes viewers on an unsettling journey. Its exploration of suburban horror and existential dread is refreshingly original, making it a standout in the sci-fi thriller genre.

<p>Often overshadowed by its iconic predecessor, <em>The Exorcist III</em> is a surprisingly effective horror film in its own right. Brad Dourif’s chilling performance elevates the film, keeping audiences engaged in the eerie tale of demonic possession.</p>

10. The Exorcist III (1990)

Often overshadowed by its iconic predecessor, The Exorcist III is a surprisingly effective horror film in its own right. Brad Dourif’s chilling performance elevates the film, keeping audiences engaged in the eerie tale of demonic possession.

<p>As the fourth installment in the beloved <em>Alien</em> franchise, <em>Alien Resurrection</em> had big shoes to fill and faced mixed reactions from critics. However, viewed as a standalone sci-fi film directed by Jean-Pierre Jeunet, it presents a visually stunning and quirky experience. Sigourney Weaver’s return as Ellen Ripley further brings out a captivating performance.</p>

11. Alien Resurrection (1997)

As the fourth installment in the beloved Alien franchise, Alien Resurrection had big shoes to fill and faced mixed reactions from critics. However, viewed as a standalone sci-fi film directed by Jean-Pierre Jeunet, it presents a visually stunning and quirky experience. Sigourney Weaver’s return as Ellen Ripley further brings out a captivating performance.

<p>Based on the popular manga and anime franchise, this film faced a divisive reception upon its release. However, many fans appreciated the film’s dedication to honoring the source material with its stunning visual aesthetics. Scarlett Johansson’s portrayal of Major Motoko Kusanagi added depth to the character, while the film’s cyberpunk world provided an immersive experience.</p>

12. Ghost in the Shell (2017)

Based on the popular manga and anime franchise, this film faced a divisive reception upon its release. However, many fans appreciated the film’s dedication to honoring the source material with its stunning visual aesthetics. Scarlett Johansson’s portrayal of Major Motoko Kusanagi added depth to the character, while the film’s cyberpunk world provided an immersive experience.

Redditor NHazellnut recently asked what was the best movie ending you’ve ever seen. Reddit was right on the money with these fifteen incredible films with even better endings. The Truman Show Streaming on HBO Max Jim Carrey in The Truman Show is brilliant, and several Redditors agree it has one of the best movie endings […]

MORE FROM BOSS LEVEL GAMER – 15 FILMS WITH THE BEST ENDINGS OF ALL TIME: UNFORGETTABLE SCENES THAT CHANGED EVERYTHING

An online discussion recently took place about the best movie ending we’ve ever seen. Here are fifteen incredible films with even better endings.

15 Films With the Best Endings of All Time: Unforgettable Scenes That Changed Everything

<p>Discovering that your favorite actors are very disappointing humans in real life can be disheartening. These 10 celebrities managed to ruin their careers in particularly spectacular fashion.</p> <p><strong><a href="https://bosslevelgamer.com/celebrities-who-destroyed-their-careers-27472">10 Celebrities Who Destroyed Their Careers In Truly Spectacular Ways</a></strong></p>

10 CELEBRITIES WHO DESTROYED THEIR CAREERS IN TRULY SPECTACULAR WAYS

Discovering that your favorite actors are very disappointing humans in real life can be disheartening. These 10 celebrities managed to ruin their careers in particularly spectacular fashion.

10 Celebrities Who Destroyed Their Careers In Truly Spectacular Ways

<p>Another Christopher Guest mockumentary, this time about Dog Shows, features an ensemble cast. </p> <p>As you’d expect, not everything goes to plan for every hopeful contestant. Many Redditors agree that this is an under-the-radar comedy you need to check out. </p>

21 OF THE ABSOLUTE BEST COMEDIES EVER MADE

There’s nothing like a good comedy to lift your spirits. Whether a movie puts a non-stop smile on your face or you fall off the couch laughing, a good comedy is incredibly appreciated. A recent online thread asks what the best comedy people have ever seen is. Here are the top answers.

21 of the Absolute Best Comedies Ever Made

<p><em>After Earth</em> is a film directed by M. Night Shyamalan, starring Will Smith and his son Jaden Smith and critics were not kind to it. It currently has a score of twelve percent on the critical aggregation site Rotten Tomatoes. Wow, that’s not good. Shyamalan has an excellent reputation as a filmmaker, but this period of his career was perhaps not his best.</p> <p>However, this story involves a theatre employee who watched a daily mass exodus of disappointed filmgoers during every screening of <em>After Earth</em> that he witnessed from the cinema lobby in a theatre in Los Angeles. The theatre employee said people would begin to leave within fifteen to thirty minutes of the film, laughing or complaining about how bad it was. The funniest part to the employee was how his managers were ill-prepared to deal with the sheer volume of refund requests because people hated the film so much.</p>

15 FILMS THAT MADE PEOPLE LITERALLY WALK OUT OF THE THEATER

You’ve paid a small fortune for tickets, popcorn, and soda. But there are some movies that are worth throwing it all away and getting the heck out of there. Here are 15 of those films.

15 Films That Made People Literally Walk Out of the Theater

There are hours of online conversations about how hit shows like The Office and Friends wouldn’t be created and aired new today, but what about the movies? Redditor u/AlexLekleklek asked, “I’m looking for movies that contain humor that wouldn’t be made today due to their offensive jokes but still are hilarious.” And Redditors responded with […]

8 CONTROVERSIAL COMEDIES THAT COULD NEVER BE MADE TODAY

There are hours of online conversations about how hit shows like The Office and Friends wouldn’t be created and aired new today, but what about the movies? Recently, somebody asked, “I’m looking for movies that contain humor that wouldn’t be made today due to their offensive jokes but still are hilarious.” People responded with their top offensive, but said, hilarious picks.

8 Controversial Comedies That Could Never Be Made Today

Source: Reddit .

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JLo is Hollywood's idea of a middle-aged Latina actor, based on 16 years of movies

Jennifer Lopez in Hollywood.

In the world created by Hollywood, very few middle-aged and older Latina women are lead protagonists. The few who are, are shapely, slim-legged, ageless Puerto Ricans with glorious tresses.

Hollywood has had a lead or co-lead character who was played by a 45 or older Latina in just five of 1,600 top-grossing films in 16 years. In three of those five films, Jennifer Lopez played the role, a new study by the Annenberg Inclusion Initiative found. The group is based at the University of Southern California.

Lopez had the lead as an older woman who has a tryst with her 19-year-old neighbor in “The Boy Next Door,” as a big-box store worker who lands a high-powered job in “Second Act,” and in the romantic comedy “Marry Me.”

“JLo is amazing and she continues to be successful, but there are storylines and people that represent the nuance and diversity of this community; most simply aren’t getting the opportunity,” said Stacy Smith, founder of the USC Annenberg Inclusion Initiative, a think tank on inequality in the entertainment industry.

“If we are trying to think about the multidimensional complex nature of this community, there’s a complete disconnect if JLo has to represent every Latina 45 and above. The people that greenlight or allocate the resources on this community don’t understand anything about the community,” Smith said.

Across the board, just 14 Hispanic or Latino actors over the age of 45 played lead roles in the 1,600 films made from 2007 to 2022. And in lead roles for all ages, just 4.4% were played by a Hispanic actor.

Only one protagonist was played by an Afro Latina, Nathalie Emmanuel in "The Invitation," in the 100 top-grossing films of 2022, and eight Afro Latinos were cast in leading or co-leading roles in the 1,600 films made from 2007-2022.

Only three U.S.-born Latinos held the lead or co-lead in films made in 2022. In the 16 years studied, the majority of U.S-born Latino actors who were in leads or co-leads were only hired once in that span of years.

The study found no instances of a male U.S.-born Latino who was cast as a lead or co-lead in more than one film.

Female actors overall have seen some recent, slight progress in their presence in Hollywood films. They were 37% of all speaking characters in the 100 top-grossing films of 2022, up from 34% in 2021, according to the Center for the Study of Women in Television and Film at San Diego State University.

However, Latinas saw their presence drop from 9.5% in 2021 to 7% in 2022, that study showed.

Fewer budgets for movies with Latino leads

Smith’s review of the costs and spending on films and their scores from Metacritic , which aggregates film reviews and scores them using a mathematical formula, showed that even though films with a Latino lead had higher Metacritic scores, less was spent to make them and market them, and they were in fewer theaters.

She said the scores mean the films with Latino leads are better but are getting less money. Though movies with Latino leads have made just as much money at the box office as those with non-Latino leading actors, the study found the actors and people working on the films with Latino leads were paid less, Smith said.

“It’s the whole issue of having to work twice as hard to get half as far,” Smith said. “This community is not valued by the people that are making the decisions in the executive branch.”

Ana-Christina Ramón is the director of the Entertainment and Media Research Initiative at University of California, Los Angeles, which produces the annual Hollywood Diversity Report .

The initiative released its 10th annual report this year examining the relationship between diversity and finances in the top 200 English-language theatrical films released globally and top 100 English-language streaming films.

Its study showed Latinos had 2.3% of leads in theatrical films examined, compared to 78.4% for white actors. Latinos fared better in streaming with 6% of leads, compared to 66.7% held by white actors.

Ramón said the initiative has gotten similar findings on budgets and resources, with films made by women and people of color receiving less money than those made by white men. The strongest predictor of the type of budget for a film is the director.

“Particularly for people of color, you will find there will be a lead that is a man of color and if he has a white director, then he’s fine,” Ramón said.

“It was very difficult to get your movie made when you’re the director and you’re the person of color, or when you are a white woman,” she said. Female directors and women of color directors tended to have more diverse casts, and even when a director of color had a white lead, they often still got fewer resources.

Rep. Joaquín Castro, D-Texas, has been intensely scrutinizing racial diversity and representation in the media industry. He ordered a two-part Gover n ment Accountability Office study that made several recommendations after its similar findings, including improved data sharing between the Equal Employment Opportunity Commission and the Federal Communications Commission, which regulates media, regarding discrimination.

Lack of diversity in the media workforce "has led to those lopsided and uneven portrayals that then create a stigma for an entire community," Castro said in 2022.

movie ratings 16

Suzanne Gamboa is a national reporter for NBC Latino and NBCNews.com

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Monopoly The Super Mario Bros. Movie Edition Kids Board Game, Family Games for Super Mario Fans, Includes Bowser Token, Ages 8+

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Monopoly The Super Mario Bros. Movie Edition Kids Board Game, Family Games for Super Mario Fans, Includes Bowser Token, Ages 8+

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  • FROM THE SUPER MARIO BROS. MOVIE: In the Monopoly The Super Mario Bros. Movie Edition game, players can imagine battling Bowser to save the Mushroom Kingdom as they explore the world of the film
  • COLLECT SUPER MARIO WORLD LOCATIONS: Players buy, sell, trade, and scheme to win it all in this Mario Monopoly board game, featuring iconic The Super Mario Bros. Movie locations. Earn the most coins to win
  • WATCH OUT FOR BOWSER: The Bowser token moves around the board separately. Beware: Bowser can swipe properties, steal coins, and send players to Jail
  • PLAY AS FAVORITE SUPER MARIO WORLD ICON: Includes 6 plastic Monopoly tokens, representing iconic characters & power-ups from The Super Mario Bros. Movie: Toad’s frying pan, a Super Mushroom, Peach’s crown, and more
  • WARP PIPES SPEED UP THE GAME: Players who land on a Warp Pipe space can move to any space between it and the next Warp Pipe space
  • SUPER MARIO GIFTS FOR BOYS AND GIRLS: Super Mario toys make great gifts for kids ages 8 and up who are Super Mario and Monopoly board game fans

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With this action-packed Monopoly The Super Mario Bros. Movie Edition kids board game, fans can explore the Mushroom Kingdom, as they buy, sell, and trade locations from the Super Mario universe! Enjoy iconic Mario artwork, characters, and themes from the film. Gold cardboard coins take the place of Monopoly cash in this race to see who can collect the most coins to win. Earn even more by owning matching Property sets. But beware of Bowser, who can swipe properties, steal coins, or send players to Jail! Discover Warp Pipe shortcuts, and gather or lose coins with Question Blocks and Piranha Plants! Super Mario games are exciting gifts for kids, gamers, Mario fans, and Monopoly fans ages 8 and up. TM & Copyright 2023 Nintendo. All Rights Reserved. Copyright Universal City Studios LLC and Amblin Entertainment, Inc. All Rights Reserved. The HASBRO and MONOPOLY names and logos, the distinctive design of the gameboard, the four corner squares, the MR. MONOPOLY name and character, as well as each of the distinctive elements of the board and playing pieces are trademarks of Hasbro, Inc. for its property trading game and game equipment.

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  • Gameboard, 6 Plastic Tokens, 1 Cardboard Bowser Token with Plastic Stand, 16 Title Deed Cards, 16 Question Block Cards, 16 Bowser's Fury Cards, 2 Dice (1 Black Die, 1 Red Die), 95 Cardboard Coins (55 One Coins, 40 Five Coins), and Game Guide.

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‘The Hunger Games: The Ballad of Songbirds and Snakes’ Review: A Compelling Backstory for Panem’s Power-Hungry Villain

An ambitious Academy mentor (Tom Blyth) and a defiant Hunger Games tribute (Rachel Zegler) have strong but strange chemistry in a bold prequel focused on future villain Coriolanus Snow’s origins.

By Peter Debruge

Peter Debruge

Chief Film Critic

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  • ‘The Hunger Games: The Ballad of Songbirds and Snakes’ Review: A Compelling Backstory for Panem’s Power-Hungry Villain 2 days ago
  • ‘Subject’ Review: Interrogating Doc Makers’ Responsibility to Those Who Appear on Camera 5 days ago

The Hunger Games: The Ballad of Songbirds and Snakes

SPOILER ALERT: The following review contains mild spoilers.

“ The Hunger Games: The Ballad of Songbirds and Snakes ” feels like a natural extension of the saga, balancing blood sport, endangered young love and a heightened level of political commentary that respects the intelligence of young audiences as only Collins can. Her message is less about resisting fascism than recognizing how systems use entertainment to distract and manipulate the masses. But even within that critique, Collins leaves room for a soulful folk singer — the title’s metaphorical songbird — to serve as the voice of resistance.

As reluctant tribute Lucy Gray Baird, “West Side Story” star Rachel Zegler represents a cross between Jennifer Lawrence’s selfless hero, Katniss Everdeen, from the original films; the beguiling Gypsy Esmeralda of Victor Hugo’s imagination; and a pop icon like Taylor Swift, who brings people together. Her songs are the highlight of a dark thriller that’s half an hour too long and frustratingly unclear in the final stretch. Then again, Hollywood has long since decided that audiences like their blockbusters bloated, and “Ballad” is but the latest to overdeliver.

Set more than six decades before Katniss volunteered to take her sister’s place in totalitarian Panem’s annual kill-or-be-killed competition, “Ballad” features just one character whom audiences will recognize outright: future dictator Coriolanus Snow (previously embodied by Donald Sutherland), now an underdog cadet. That means, like “Cruella,” “Wicked” and “Maleficent,” this film focuses on a villain before he went bad, back when he was young, desperate and … hot.

George Lucas’ “Star Wars” prequels are the most obvious antecedent for Collins’ revisionist novel. (Yes, “Ballad” is based on a book, although the source material might more naturally have been split into two films, or even spread across several seasons of TV.) Clocking in at an awesome 157 minutes, the epic-length movie opens with the 10th annual Hunger Games, cramming the cruel arena death match into its first half, then shifting its attention to the budding romantic connection between Coriolanus and Lucy Gray.

Lucy Gray belongs to a nomadic Roma-like group called the Covey, who were neutral in the Panem civil war that cemented the Capitol’s strength. When the fighting ended, these free spirits were forced to settle, and are now punished alongside citizens of the districts that revolted. As such, Lucy really ought to be exempt from the Reaping (the process by which contestants are randomly selected to represent their districts in the Hunger Games), but it suits Collins’ point to make her the purest of the lot: more martyr than action hero.

While it’s relatively easy to convince YA audiences to root for whichever young couple a movie puts forward, “Ballad” has to bend over backward to overcome the many reasons these two shouldn’t be together. For starters, Coriolanus is an obedient member of the Capitol’s Academy, making him Panem’s equivalent of a Hitler Youth, while Lucy Gray is effectively a human sacrifice — hardly the ideal dynamic between love interests. Though he goes the extra mile to assist her, his ambition tragically outweighs whatever emotion he feels for her.

Driven to feed his own starving family at home, Coryo hatches proactive suggestions to make the Hunger Games even more compelling amid a dip in ratings that might have justified canceling the barbaric practice. From Academy dean Casca Highbottom (a well-cast Peter Dinklage, who finds layers of conflict in his character), we learn that Coriolanus’ father, Crassus, was the one who implemented the games. While it might be poetic for a member of the Snow family to end them, audiences already know they continue for another 65 years under Coriolanus’ oversight.

Readers of the book will have a better understanding of the power structure of the Capitol, though the uninitiated may find themselves wondering who exactly is in charge. Coriolanus aligns himself with the Head Gamemaker, Dr. Volumnia Gaul (Viola Davis at her most nefarious). Embracing the character’s camp potential, Davis sports eyes of different colors, a white-streaked Dr. Frankenstein hairdo and crimson costumes that would be at home in a “Cremaster” movie. Like practically everyone in the Capitol — except Coryo’s rebel-minded friend, Sejanus Plinth (Josh Andrés Rivera) — Gaul fails to see the humanity in the citizens of the various districts.

Zegler might seem like an obvious choice, giving the role’s singing requirements, but “West Side Story” wasn’t a huge hit, and could have been a liability to this film’s box office. Taking the stage in a tattered but radiant dress (designed by Trish Summerville), she demonstrates a kind of inner light that even Spielberg couldn’t harness. Still, Lucy Gray’s reluctance to assume the lethal demands of the Hunger Games proves exasperating, as Coriolanus scrambles to find creative ways to help from the sidelines (by turning sponsorship drones into weapons and such). Rather than force her to dispatch everyone, Michael Lesslie and Michael Arndt’s script (faithful to the novel) brings in a vat of poisonous snakes to speed along the result. The producers could have easily gotten away with letting the competition play out, wrapping the film there and saving the second half — in which Coryo is demoted to a Peacekeeper assigned to District 12 — for a separate film.

The last hour proves tricky for Lawrence to pull off, in part because the novel relied so heavily on Coriolanus’ interior thoughts. Stripped of that narration, the movie struggles to convey the turmoil he’s experiencing, pulled between his feelings for Lucy Gray and an even more powerful thirst for power. We all know where this is headed — Snow’s destined to become Panem’s authoritarian “president” — but there’s still enormous room for surprise and debate, even among readers of Collins’ prequel. Lawrence also takes the opportunity to plant (Katniss) seeds for the character’s decades-later downfall. Snow may be the winner for now, but his fate is preordained, and “Ballad” makes clear that his victory comes at a terrible price.

Reviewed at AMC Burbank 16, Burbank, Calif., Nov. 1, 2023. MPA Rating: PG-13. Running time: 157 MIN.

  • Production: A Lionsgate release and presentation of a Color Force, About:Blank production Producers: Nina Jacobson, Brad Simpson, Francis Lawrence. Executive producers: Suzanne Collins, Mika Saito, Jim Miller, Tim Palen.
  • Crew: Director: Francis Lawrence. Screenplay: Michael Lesslie, Michael Arndt, based on the novel by Suzanne Collins. Camera: Jo Willems. Editor: Mark Yoshikawa. Music: James Newton Howard.
  • With: Tom Blyth, Rachel Zegler, Peter Dinklage, Jason Schwartzman, Hunter Schafer, Josh Andrés Rivera, Viola Davis, Fionnula Flanagan, Burn Gorman.

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The iPhone 16 already sounds incredible

Christine Romero-Chan

Apple launched the iPhone 15 lineup recently, which includes the iPhone 15 , iPhone 15 Plus , iPhone 15 Pro , and iPhone 15 Pro Max . Of course, while the new series appears to be a hit with most, it’s not without its own set of issues too.

More buttons and a haptic transition

Smaller cameras for the iphone 16 pro, even more optical zoom for the iphone 16 pro max, a price increase would not be so incredible.

  • There’s a lot to look forward to with the iPhone 16

Despite the fact that the iPhone 15 has only been out for a few weeks, the rumor mill for the iPhone 16  has already begun, though it’s still quite early. But from what we’ve gathered so far, it looks like the iPhone 16 could be another worthy upgrade, especially if you haven’t picked up an iPhone 15 already.

With the iPhone 15 Pro and iPhone 15 Pro Max, Apple shook things up in a big way by replacing the silent/ring toggle, which has been on the iPhone since the original, with the Action button .

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The default setting for the button is to turn silent/ring on and off, but users can also customize it to do another action — such as opening the camera, starting a voice memo, turning on the flashlight, opening a Shortcut, and more. Especially with the option for Shortcuts, the possibilities that you have with the Action button are virtually endless.

Rumors are swirling that the iPhone 16 Pro will have the Action button sit flush with the device as it transitions to solid-state, rather than physical buttons like what we currently have. Additionally, it’s very likely that all models of the iPhone 16 will have a new button on the right side of the body, which also means the mmWave antenna will move to the left side to accommodate the change. This button seems to be internally called a “Capture Button,” but it’s unclear what this possible new button will actually do.

I think the idea of a new button is quite exciting. Since it’s being internally called a “capture” button, what if it’s for capturing a photo in the Camera app? Yes, you can technically use the Action button (if it’s set to the Camera app) or volume up button to do that right now, but that works best if you have the camera module towards the bottom when holding it in horizontal orientation.

If it’s a capture button for photos and placed near the bottom on the right edge of the phone (underneath the power/Siri button), it would be perfect for capturing selfies or snapping photos with the camera module towards the top in horizontal orientation. I often find it a bit hard and uncomfortable to reach the on-screen capture button when taking a selfie because my thumb is short, so a capture button on the right would help me a lot, actually, and I’m sure I’m not the only one. That said, I could see that as an issue for anyone who uses their left hand for selfies.

That’s probably the biggest use case for a new button, though perhaps it could also work like the Action button as well. I mean, the Action button is currently limited to only one action, so I don’t see the harm in making this new button also customizable — unless Apple changes the Action button to allow for more than one action based on other gestures.

Regardless, the idea of a new button on the iPhone 16 excites me. Whether it will be for all iPhone 16 models or just the higher-end ones is still a mystery.

For the past few years, Apple has given the smaller iPhone Pro models the same camera treatment as the larger Pro Max, but the iPhone 15 line broke that trend. Apple has a new tetraprism telephoto lens that allows for up to 5x optical zoom capability, but it’s exclusive to the iPhone 15 Pro Max only.

This could change with the iPhone 16 Pro, which is rumored to use molded glass lenses that could reduce the thickness and weight of the camera bump while also increasing magnification distance. There’s also the possibility that the iPhone 16 Pro display size will be slightly larger, making it possible to house the 120mm telephoto camera that the iPhone 15 Pro Max uses.

I’m the type of person who upgrades every year, mostly for the camera improvements. However, even though the iPhone 15 Pro Max has the best camera system this year, I went with the smaller iPhone 15 Pro instead since I’m not a big fan of large phones. Personally, they’re harder for me to use comfortably as my hands are more petite, and even with larger Android phones like the Google Pixel 8 Pro , I have trouble reaching the on-screen capture button when taking photos.

If the iPhone 16 Pro is indeed going to have better optical zoom capabilities next year since a slightly larger size can house the 120mm lens, I’d be thrilled. However, I hope that the size doesn’t get too large. I would really prefer if Apple gave both Pro models the same camera treatment again, so maybe this is a step in the right direction.

This next rumor 100% contradicts what I’m hoping for with equal camera treatment for both small and large Pro models.

Some early reports are suggesting that while competitors like Samsung might drop from 10x optical zoom on the Galaxy S24 Ultra , Apple may do the opposite and go from 5x to 10x optical zoom on the iPhone 16 Pro Max . This would be made possible due to Apple using advanced molded glass lenses, similar to what we just talked about for the smaller iPhone 16 Pro. This advanced molded glass could result in a smaller camera bump and increase the optical zoom distance with what would be considered a “super telephoto” lens.

While I don’t have the iPhone 15 Pro Max myself, from what I’ve heard and seen in our coverage of the phone, the 5x optical zoom is pretty great (and honestly makes me kind of regret not getting it). If the iPhone 16 Pro Max will be upping the ante by doubling the optical zoom range, then it would definitely be more tempting for me next year.

This year, the iPhone 15 lineup cost a bit more to produce than its predecessor, the iPhone 14 . That’s not super surprising, given the fact that the standard iPhone 15 models use a new “color-infused” matte glass back, the Pro models have titanium, and the new components on the inside, like the tetraprism telephoto camera in the iPhone 15 Pro Max.

With this information, there’s a rumor floating around that the increased production cost from this year could trickle down into the prices of the iPhone 16 lineup next year. This, of course, would not be so incredible.

However, it’s important to remember that there have been rumors that the cost of the iPhone is going to go up every year , and it hasn’t really happened. Sure, the iPhone 15 Pro Max seemed like it went up this year, but that’s only because Apple eliminated the 128GB storage option for $1,099 from years past. Now, the iPhone 15 Pro Max starts at $1,199 for the 256GB version, which is the equivalent of the 256GB iPhone 14 Pro Max when that was new. The iPhone 15, iPhone 15 Plus, and iPhone 15 Pro did not get any sort of price increase this year, despite reports that we would possibly see higher prices for those.

So, while the rumors suggest that we’ll see higher prices for the iPhone 16 lineup next year, I have my doubts. This is something we hear every year, so I would take it with a grain of salt.

There’s a lot to look forward to with the iPhone 16

I know that the iPhone 15 lineup just came out, and it’s still very early for iPhone 16 talk. But this is just the nature of the beast — once the new thing is out, the rumors start to pop up for the next one. It’s just how it goes.

I’ve been satisfied with my iPhone 15 Pro so far , but I’m still looking forward to what the iPhone 16 lineup will bring — especially if the smaller iPhone 16 Pro can get more optical zoom range, which it missed out on this year. The idea of a capture button for what I believe could be for the camera would also be fun.

It’s far too early to know anything for certain about the iPhone 16, but assuming these reports hold some truth to them, it’s hard to not start getting excited about what Apple has in store for us next year.

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  • Apple iPhone

Christine Romero-Chan

Every fall, there’s lots of pumpkin spice, spooks, and flagship phones from Google and Apple. This year, Google released the powerful Google Pixel 8 Pro, while Apple upped the ante with the iPhone 15 Pro.

While the Google Pixel 8 Pro is more comparable to the iPhone 15 Pro Max, we wanted to see how it would do against the smaller iPhone 15 Pro as well. After all, the regular iPhone 15 Pro is still considered a flagship, and both phones share the same $999 price tag.

Behind the scenes: An Apple Event shot on iPhone

Apple surprised many folks when it revealed that Monday's Scary Fast event was shot entirely on an iPhone -- the iPhone 15 Pro Max, to be precise.

iPhone 15 Pro Max Andy Boxall / Digital Trends

How do you flex the camera chops of your flagship phone? Use it to shoot the entire launch event for flagship laptops. Or that’s apparently what Apple thinks. The company’s Scary Fast event last night was shot on an iPhone 15 Pro Max, and it’s quite a solid statement to rest the fate of a product reveal that brings in billions of dollars for Apple each quarter.

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  1. Motion Picture Association film rating system

    Toggle History subsection Motion Picture Association film rating system From Wikipedia, the free encyclopedia Motion Picture Associationfilm rating system is used in the United States and its territories to rate a 's suitability for certain audiences based on its content.

  2. Prime Video: Help

    Maturity Ratings combine movie and TV ratings into levels, with recommended audience age groups. United States. Local Rating Values. Kids ... (TV & Movies) L. 10. 12. 16. 18. 14. ADJCTQ (TV & Movies) AL. A10. A12. A16. A18. A14. South Africa. Local Rating Values. Kids (All) Older Kids

  3. Motion picture content rating system

    +16: Suitable for 16-year-olds and over. +18: Suitable for 18-year-olds and over. C: Suitable for 18-year-olds and over. Restricted to specially licensed venues. Australia The Classification Board and Classification Review Board are government-funded organisations which classify all films that are released for public exhibition. [2] [3]

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    PG-13 — Parents Strongly Cautioned. Some Material May Be Inappropriate For Children Under 13. A PG-13 rating is a sterner warning by the Rating Board to parents to determine whether their children under age 13 should view the motion picture, as some material might not be suited for them.

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    Are you a filmmaker looking to have your film rated? Start the submission process with the Classification and Rating Administration. Visit the Website Ratings Guide Not sure what each rating means? Check out our interactive guide: General Audiences Nothing that would offend parents for viewing by children. Parental Guidance Suggested

  8. Movie Ratings Explained

    Rated M There is a decent chance that you have never heard of the M rating. This short-lived rating was given to films considered appropriate for "Mature Audiences." But it was quickly the subject of much confusion as some films assigned the M rating were still considered appropriate for most children.

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    Read age-appropriate movie reviews for kids and parents written by our experts. Read age-appropriate movie reviews for kids and parents written by our experts. Skip to main content ... age 16+ Save The Other Zoey. age 13+ Save Rumble Through the Dark. age 15+ Save Dicks: The Musical. age 17+ Save The Killer. age 16+ Save You Were My First ...

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    Release Calendar Top 250 Movies Most Popular Movies Browse Movies by Genre Top Box Office Showtimes & Tickets Movie News India Movie Spotlight. TV Shows. What's on TV & Streaming Top 250 TV Shows Most Popular TV Shows Browse TV ... 16. The Matrix. 1999 2h 16m R. 8.7 (2M) Rate. 17. Goodfellas. 1990 2h 25m R. 8.7 (1.2M) Rate. 18. One Flew Over ...

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    Read movie reviews and ratings by film critics, movie fans and parents. Find new movies that are just right for you or your kids on Fandango. ... Fandango movie ticket purchase to 'Wish' must be made between 9:00am PT on 10/16/23 and 11:59pm PT on 11/26/23 (the "Offer Period"). Purchaser will receive a post-purchase email containing a ...

  14. Motion Picture Association film rating system

    In 1970, the M rating became replaced with "GP" because of the confusion as to whether "M-rated" movies would be appropriate for their children. In addition, the minimum age for R and X-rated movies were raised from 16 to 17. From 1970 to 1972, the movie ratings consisted of four new ratings: Rated G - General Audiences. All ages admitted.

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    The same five movie age ratings in the United States have been in place since 1990 when the NC-17 rating was introduced to replace the former X-rating. We detail the individual ratings below. General Audiences (G): This rating is generally viewed as accessible for all ages. Ideally, this rating is given to a movie deemed appropriate enough for ...

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    R was for restricted audiences, children under 16 needed a parent to get in. (this was later changed to 17) X rated movies were for adult audiences only. The initial rating system fell short because parents felt more strongly against M rated movies than R rated ones, even though the reverse was intended.

  18. A Guide to Understanding Movie Ratings

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  20. Amazon Prime Video maturity ratings

    Older Kids (7+): Recommended for children ages 7 and up. Equivalent to PG (MPA), and TV-Y7 (-FV) and TV-PG (TV). Teens (13+): Recommended for teenagers ages 13 and up. Equivalent to PG-13 (MPA). Young Adults (16+): Recommended for older teenagers ages 16 and up. Equivalent to TV-14 (TV). Adults (18+): Recommended for adults ages 18 and up.

  21. The Film Rating System

    Children under 17 must be accompanied by a parent or adult guardian over the age of 21 for R-rated movies. I.D. is required for proof of age. Children under 6 years of age are not permitted into R-rated features at all. ... If a film has not yet been assigned a final rating, the label This Film Is Not Yet Rated is used in trailers and ...

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    DO ALL MOVIES HAVE TO BE RATED? No. Submitting a movie for a rating is a voluntary decision made by filmmakers. However, the overwhelming majority of filmmakers have their movies rated, and each member of the Motion Picture Association has agreed to have all its theatrically released movies rated.

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    Most theaters have their own policies regarding R rated movies and some include checking IDs of those who look under 17 purchasing tickets, allowing only parents to purchase tickets and accompany those under 17 into the movie, or just stating it has to be an adult guardian (not necessarily a parent) and that guardian has to purchase the tickets ...

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  29. The iPhone 16 already sounds incredible

    Smaller cameras for the iPhone 16 Pro. Even more optical zoom for the iPhone 16 Pro Max. A price increase would not be so incredible. There's a lot to look forward to with the iPhone 16. Despite ...