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“Avengers: Endgame” is the culmination of a decade of blockbuster filmmaking, the result of years of work from thousands of people. It is designed to be the most blockbuster of all the blockbusters, a movie with a dozen subplots colliding, and familiar faces from over 20 other movies. It’s really like nothing that Hollywood has produced before, existing not just to acknowledge or exploit the fans of this series, but to reward their love, patience, and undying adoration. The blunt thing you probably want to know most: It’s hard to see serious MCU fans walking away from this disappointed. It checks all the boxes, even ticking off a few ones that fans won’t expect to be on the list. It’s a satisfying end to a chapter of blockbuster history that will be hard to top for pure spectacle. In terms of sheer entertainment value, it’s on the higher end of the MCU, a film that elevates its most iconic heroes to the legendary status they deserve and provides a few legitimate thrills along the way.

Don’t worry: I will stay very spoiler-free. The main joy of this film is in how its incredibly complex narrative unfolds, and you can go elsewhere if you want that ruined. The disappointing “ Avengers: Infinity War ” ended with Thanos finally getting all of the six Infinity Stones he so desperately sought, and then using them to wipe out half of existence, including beloved heroes like Black Panther, Star-Lord, and Spider-Man. “Avengers: Endgame” picks up a few weeks after “The Snap,” as the remaining heroes try to pick up the pieces and figure out if there’s a way to reverse Thanos’ destruction.

Immediately, “ Endgame ” is a more focused piece than “Infinity War” by virtue of having a tighter, smaller cast. (Thanks, Thanos.) It’s a more patient, focused film, even as its plot draws in elements of a dozen other movies. Whereas “ Infinity ” often felt bloated, “Endgame” allows some of the more iconic characters in the history of the MCU a chance to be, well, heroic. No longer mere pawns in a Thanos-driven plot, Iron Man, Captain America, Black Widow, Hulk, and Thor break free of the crowd, ably assisted by Hawkeye and Ant-Man. In a sense, this is the new Avengers, and the tighter group of superheroes reminded me of the charm of Joss Whedon ’s first "Avengers" movie, one in which strong personalities were allowed to bounce off each other instead of just feeling like they were strapped into a rollercoaster headed in the same direction. It also allows space for some of the best acting work in the franchise, particularly from Chris Evans and Robert Downey Jr., who one realizes while watching this have turned Captain America and Iron Man into something larger than life for a generation. The most satisfying aspect of “Endgame” is in how much it provides the MCU’s two most popular heroes the story arc they deserve instead of just drowning them in a sea of cameos by lesser characters from other movies. In the way it canonizes them, it becomes an ode to the entire Marvel Cinematic Universe.

What works best about Christopher Markus and Stephen McFeely ’s script for “Endgame” is that one feels, for arguably the first time, a sense of looking back instead of merely trying to set the table for something to come. This film incorporates elements of what fans know and love about the MCU, recalling character beats, origins, and the plots of movies like “ Iron Man ,” “ Guardians of the Galaxy ,” and “ Captain America: The First Avenger .” Call it cheap fan service, but one of my biggest issues with these films, especially “Infinity War,” has been a sense that they’re merely commercials for movies yet to be made. “Endgame” doesn’t have that. Sure, the MCU will go on, but this movie has a finality and depth given to it by MCU history that the others have lacked.      

Of course, it needs to work as just a movie too. The middle hour is as purely enjoyable as the MCU has ever been, but there are times when I wished I could sense a human touch below the incredibly-polished, carefully-planned surface of “Avengers: Endgame.” In the long build-up first hour, I longed for one of the pregnant pauses about the seriousness of the situation to lead to something that felt spontaneous or an acting decision that didn’t feel like it had been run through a committee. Every single aspect of “Endgame” has been foreshadowed for years by other films and finely tuned by the hundreds of people it takes to make a movie like this one. The result is a film that often feels more like a product than a piece of art. Roger Ebert once famously wrote that “video games can never be art,” but he may have been surprised to see art becoming more like a video game, something remarkably programmed and determined, lacking anything that really challenges the viewer.

However, people aren't lining up at dawn for “Avengers: Endgame” to challenge them. It’s really about rewarding commitment, fandom, and expectations. Whatever its flaws, “Endgame” does all of that, and with a sincere admiration for the fans who have made this universe a true cultural phenomenon. The stakes are high and the conclusions actually feel resonant. It’s an epic cultural event, the kind of thing that transcends traditional film criticism to become a shared experience with fans around the world. The biggest question I had coming out was how they could possibly top it ten years from now. 

Brian Tallerico

Brian Tallerico

Brian Tallerico is the Managing Editor of RogerEbert.com, and also covers television, film, Blu-ray, and video games. He is also a writer for Vulture, The Playlist, The New York Times, and GQ, and the President of the Chicago Film Critics Association.

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Film credits.

Avengers: Endgame movie poster

Avengers: Endgame (2019)

Rated PG-13 for sequences of sci-fi violence and action, and some language.

181 minutes

Robert Downey Jr. as Tony Stark / Iron Man

Chris Evans as Steve Rogers / Captain America

Mark Ruffalo as Bruce Banner / The Hulk

Chris Hemsworth as Thor Odinson

Scarlett Johansson as Natasha Romanoff / Black Widow

Jeremy Renner as Clint Barton / Ronin / Hawkeye

Don Cheadle as James "Rhody" Rhodes / War Machine

Paul Rudd as Scott Lang / Ant-Man

Brie Larson as Carol Danvers / Captain Marvel

Karen Gillan as Nebula

Bradley Cooper as Rocket Racoon (voice)

Gwyneth Paltrow as Virginia "Pepper" Potts / Rescue

Josh Brolin as Thanos

Zoe Saldana as Gamora

Stan Lee as Stan Lee

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Intense but satisfying finale is an epic gift to MCU fans.

Avengers: Endgame Poster Image

A Lot or a Little?

What you will—and won't—find in this movie.

Violence is main means of conflict resolution, but

Avengers and friends are flawed but unforgettably

Frequent and intense comic book-style action viole

Brief kisses/embraces between a few romantic coupl

Occasional strong language, including "son of a bi

Two Audi cars. Ben & Jerry's ice cream. Film i

Thor drinks a lot as a form of self-medication. Un

Parents need to know that Avengers: Endgame is the final film in the Marvel Cinematic Universe's current generation of movies, bringing together storylines and characters from 21 previous movies, starting with 2008's Iron Man . Families with younger kids should know that there's definitely as much…

Positive Messages

Violence is main means of conflict resolution, but story is primarily about courage, self-sacrifice, heroism, collective good. Themes include teamwork, perseverance, courage. Central characters are willing to die (and kill) to save universe and rescue Earth from grief/trauma they've experienced. Also shows how important family and friendship are, how concept of family is more than pure biology: People can have incredibly strong chosen families, with friends who love you unconditionally. Emphasizes idea of being who you are , not who you think you're "supposed" to be.

Positive Role Models

Avengers and friends are flawed but unforgettably brave. They aren't individually as strong as Thanos, but together they can accomplish the impossible. They make sacrifices, protect one another, work together to save their loved ones and strangers alike. Women of Marvel once again have opportunity (albeit fairly brief one) to band together, and family men like Scott/Ant-Man and Clint/Hawkeye are particularly invested in doing what's necessary to save loved ones. Captain America and Thor prove themselves worthy of their special weapons/powers. Characters make difficult life-or-death decisions that put them in danger for the greater good. Thanos believes he's bringing salvation to universe, but his method -- genocide -- is untenable.

Violence & Scariness

Frequent and intense comic book-style action violence. Characters are killed, severely injured. Viewers will see dismemberment, decapitation, stabbing, crushing, shooting, impalement, choking, extremely destructive explosions, self-sacrifice, pursuit by scary monsters, etc. A character carries out ruthless vigilante justice, leaving lots of bodies in his wake. Weapons include guns, swords, axes, hammers, missiles. Violence isn't especially gory, but a couple of injuries/deaths are a bit bloody. Frequent peril and danger. Mourning/sadness. Arguments/yelling/shouting. Spoiler alert: A couple of beloved characters die in order to save the universe, and a couple of previously dead characters don't return to life, which could upset viewers.

Did you know you can flag iffy content? Adjust limits for Violence & Scariness in your kid's entertainment guide.

Sex, Romance & Nudity

Brief kisses/embraces between a few romantic couples. Thor spends some scenes shirtless.

Did you know you can flag iffy content? Adjust limits for Sex, Romance & Nudity in your kid's entertainment guide.

Occasional strong language, including "son of a bitch," "ass," "s--t," "bulls--t," "d--khead," "pissed," "damn," "pissant," "hell," "crap," "goddamn," "Jesus" (as an exclamation), and "oh my God." (Even Cap swears!)

Did you know you can flag iffy content? Adjust limits for Language in your kid's entertainment guide.

Products & Purchases

Two Audi cars. Ben & Jerry's ice cream. Film is tied into vast merchandising/licensing efforts surrounding Marvel Comics.

Drinking, Drugs & Smoking

Thor drinks a lot as a form of self-medication. Until a life-changing conversation, he's often looking for beer, ale, liquor, and/or wine, and bottles and barrels are shown.

Did you know you can flag iffy content? Adjust limits for Drinking, Drugs & Smoking in your kid's entertainment guide.

Parents Need to Know

Parents need to know that Avengers: Endgame is the final film in the Marvel Cinematic Universe's current generation of movies, bringing together storylines and characters from 21 previous movies, starting with 2008's Iron Man . Families with younger kids should know that there's definitely as much intense violence (decapitation, explosions, stabbings, impalement, crushing, shooting, etc.), and even more pain, trauma, and grief here than there was in Avengers: Infinity War . Spoiler alert : A couple of beloved characters die, which will prove particularly upsetting. The language is similar to that in previous movies (mostly uses of "s--t," "ass," "d--k" -- even Captain America swears this time!), but there's no romance beyond a few brief embraces and kisses between established couples; a very minor male character talks about dating another man. Thor drinks a lot to numb his pain. Those who haven't seen any of the previous MCU installments should at least watch Infinity War and Captain America: Civil War to follow the plot, but those who are familiar with the movies and comics will be rewarded with plenty of inside jokes and references. With themes of courage, teamwork, and perseverance, this epic Avengers finale is the ultimate gift to Marvel fans -- they'll laugh, cry, and cheer as their favorite superheroes team up to save the universe one more time.

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What's the Story?

AVENGERS: ENDGAME is set after Thanos' catastrophic use of the Infinity Stones randomly wiped out half of Earth's population in Avengers: Infinity War . Those left behind are desperate to do something -- anything -- to bring back their lost loved ones. But after an initial attempt -- with extra help from Captain Marvel ( Brie Larson ) -- creates more problems than solutions, the grieving, purposeless Avengers think all hope is lost. They're reenergized by the eventual reappearance of Scott Lang, aka Ant-Man ( Paul Rudd ), who was stuck in the quantum realm during the fight on Wakanda. He believes there could be a way to reverse Thanos' deadly snap. It takes a while to gather the squad -- some of whom have changed dramatically -- but eventually Iron Man ( Robert Downey Jr. ), Thor ( Chris Hemsworth ), Captain America ( Chris Evans ), Black Widow ( Scarlett Johansson ), the Hulk ( Mark Ruffalo ), Rocket ( Bradley Cooper ), Nebula ( Karen Gillan ), Hawkeye ( Jeremy Renner ), and Ant-Man team up for one last life-or-death mission to outsmart Thanos ( Josh Brolin ) and save the universe.

Is It Any Good?

The Russo brothers' poignant, powerful finale more than lives up to the hype: It's a thrilling conclusion and a deeply emotional exploration of loss and love, duty and honor, friendship and family. Written by Christopher Markus and Stephen McFeely, the story focuses on the remaining Avengers and their post-trauma lives. Each seems overwhelmed by their failure, so when they start to regroup, it's clear that they're far from the same confident, optimistic superheroes who thought they could defeat Thanos in Infinity War . The dads in the group are particularly effective at showing how personal the grief is, providing a contrast to the general sense of failure and loss that the single superheroes feel. As the often underappreciated Hawkeye, Renner stands out in a crowded field of immense talent for making his character feel central. His intensity and his platonic, brotherly love for Natasha/Black Widow is perfectly conveyed. Johansson does a lot of the emotionally resonant work in the movie, keeping tabs on everyone, encouraging her friends, and acting like everyone's favorite sister (except in the Hulk's case). The big three -- Iron Man, Captain America, and Thor -- are also fabulous. Their differences have never been more obvious, but each proves that despite past conflicts and heartbreaks, they're worthy and ready to fight side by side.

There's so much packed into the three hours of Avengers: Endgame that it might seem overwhelming at times; this is clearly a film that will inspire repeat viewing. There are unexpected twists and moments of hilarity, as well as more serious scenes and themes. Those well-versed in the Marvel Cinematic Universe will delight in the many Easter eggs and clear fan service (yes, there's still a Stan Lee cameo), while more casual fans will still find plenty of reasons to applaud. What's also true is that the three-hour movie brings all the feels. Just when one gut-punching beat finishes, there's barely enough of a break for a zinger from Tony or Rocket (voiced by Bradley Cooper ) before another "oh no" moment squeezes your heart . But don't despair: This is a bittersweet example that the best heroes won't allow hubris or insecurity to defeat them. Endgame ranks up there with The Return of the King and Deathly Hallows: Part 2 -- all are epic, emotional, and exceptional franchise finales.

Talk to Your Kids About ...

Families can talk about the action violence in Avengers: Endgame. Does any of it seem realistic? Is it intended to? Is there a difference in the impact between hand-to-hand combat and catastrophic, buildings-collapsing-type explosions? How can a single death be just as or even more upsetting than the death of crowds?

What are the movie's messages about teamwork , courage , and perseverance ? Why are these important character strengths ?

This movie deals with grief, loss, and trauma. How do the characters handle their pain differently? Which ones deal with trauma in a healthy way, and which don't? What motivates them all to "be better," as Natasha says?

Why is it important for superheroes to be diverse? Do you think the Marvel Cinematic Universe offers strong examples of racial and gender diversity? Has that changed over the films' history? What other types of representation would you like to see in these movies?

What will you miss most about this particular combination of Avengers? Which characters did you like best in this installment? Which characters surprised you the most? What Marvel-based stories do you hope they continue making?

Movie Details

Did we miss something on diversity?

Research shows a connection between kids' healthy self-esteem and positive portrayals in media. That's why we've added a new "Diverse Representations" section to our reviews that will be rolling out on an ongoing basis. You can help us help kids by suggesting a diversity update.

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Avengers: Endgame Is a Good — And Sometimes Great — End to Marvel's First Decade

Avengers: Endgame —the 22nd movie to emerge from the Marvel Cinematic Universe birth canal and the capper to the two-part saga that began with last year’s Avengers: Infinity War —makes more sense as an event than as a movie. The film has been meticulously crafted for people who care deeply about these characters, and it’s likely most of those viewers will leave the theater satisfied. Directors Anthony and Joe Russo (also the directors of Avengers: Infinity War, as well as two of the Captain America films) and their team of writers have ensured, with machinelike precision, that each Avenger gets his or her proper allotment of sensitive moments, as well as heroic ones. Once in a while, Endgame is enjoyable on its own terms, though mostly, you’ll be better off if you have at least a rough working knowledge of the MCU movies that have preceded it. It’s an entertainment designed to please many, many people and disappoint as few as possible, extravagant without necessarily having a vision beyond its desire not to put a foot wrong. It’s bold in the safest possible way.

In other words, as movies that are part of multi-billion-dollar franchises go, Avengers: Endgame is good enough. I must note here that I have little invested in the Marvel movies as the result of any attachment to Marvel comics. But I do care about the work of the actors who appear in them, performers like Chris Evans and Scarlet Johansson, Chadwick Boseman and Robert Downey Jr., Zoe Saldana and Jeremy Renner. All of these people have been terrific in MCU movies, even when they could easily get by with being less than terrific. Watching Endgame, I realized that I do care about Marvel characters because these actors have made me care.

The skill those actors—along with some I haven’t mentioned, like Tessa Thompson and Mark Ruffalo and Benedict Cumberbatch—bring to the Marvel movies in general, and to Avengers: Endgame specifically, only makes me wish these movies were breezier and more inventive, and less obsessed with the high-stakes, big-money fan-pleasing game. But you can’t have everything, and Endgame at least gives these actors something to work with. (Minor-to-moderate spoilers follow, so if you want to experience Endgame with the naïve blankness of a tadpole freshly launched into the pond, please stop reading here.)

Endgame opens with an unnerving, gracefully filmed prologue involving Renner’s Clint Barton, Hawkeye when in his superhero guise. He’s enjoying an outdoor picnic with his family when it becomes clear that what we’re seeing is a moment connected to the tail end of Infinity War: The instant supervillain Thanos (Josh Brolin) snapped his fingers—after having captured the last of those six all-powerful nuggets known as the Infinity Stones —and destroyed exactly half the world’s population , leaving the other half to grieve and remember. (It’s more cruel, when you think about it, to destroy half the world than all of it.) This megalomaniacal act was Thanos’s way of cleansing what he viewed as a corrupt universe. But Hawkeye, having retreated from Avengers duty to be a family man, wasn’t around to witness Thanos’s big finale—and, as Endgame begins, he doesn’t yet know that half his friends have turned to dust. And so, in this moment, we know what’s going to happen before Hawkeye does: He turns away from his family for just a millisecond, and in a blink, they’re gone.

Next we see the other remaining Avengers pulling themselves together after the tragedy—or, in the case of Scott Lang/Antman (Paul Rudd), just waking up after a Quantum Realm-induced nap . Lang quickly gets up to speed on what he missed, and comes up with the germ of a plan: Might the Avengers go back in time to foil Thanos’s plan of half-destruction? Lang introduces his idea to remaining Avengers Steve Rogers/Captain America (Evans), Natasha Romanoff/Black Widow (Johansson) and James Rhodes/War Machine (Cheadle). They bring this spark of an idea to the guy who might be able to make it work, Downey’s Tony Stark/Iron Man, who barely survived Thanos’s destructathon. First Stark says it’s impossible; then he changes his mind—but he also worries that if the scheme doesn’t work, he’ll lose all he’s gained in what has for him become a bittersweet time, an era during which he’s mourning his lost friends but also starting a new life for himself.

Still from 'Avengers: Endgame' featuring Tony Stark/Iron Man (Robert Downey Jr.). (Film Frame—Marvel Studios 2019)

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Avengers: Endgame

2019, Action/Adventure, 3h 1m

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Exciting, entertaining, and emotionally impactful, Avengers: Endgame does whatever it takes to deliver a satisfying finale to Marvel's epic Infinity Saga. Read critic reviews

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Avengers: endgame videos, avengers: endgame photos.

Adrift in space with no food or water, Tony Stark sends a message to Pepper Potts as his oxygen supply starts to dwindle. Meanwhile, the remaining Avengers -- Thor, Black Widow, Captain America and Bruce Banner -- must figure out a way to bring back their vanquished allies for an epic showdown with Thanos -- the evil demigod who decimated the planet and the universe.

Rating: PG-13 (Sequences of Sci-Fi Violence|Action|Some Language)

Genre: Action, Adventure, Fantasy, Sci-fi

Original Language: English

Director: Anthony Russo , Joe Russo

Producer: Kevin Feige

Writer: Christopher Markus , Stephen McFeely

Release Date (Theaters): Apr 26, 2019  wide

Release Date (Streaming): Jul 30, 2019

Box Office (Gross USA): $858.4M

Runtime: 3h 1m

Distributor: Walt Disney

Production Co: Marvel Studios, Walt Disney Pictures

Sound Mix: DTS, Dolby Digital, SDDS, Dolby Atmos

Aspect Ratio: Scope (2.35:1)

View the collection: Marvel Cinematic Universe

Cast & Crew

Robert Downey Jr.

Tony Stark, Iron Man

Chris Evans

Steve Rogers, Captain America

Mark Ruffalo

Bruce Banner, Hulk

Chris Hemsworth

Scarlett Johansson

Natasha Romanoff, Black Widow

Jeremy Renner

Clint Barton, Hawkeye

Brie Larson

Carol Danvers, Captain Marvel

Scott Lang, Ant-Man

Don Cheadle

James Rhodes, War Machine

Karen Gillan

Danai Gurira

Bradley Cooper

Rocket Voice

Gwyneth Paltrow

Pepper Potts

Jon Favreau

Happy Hogan

Benedict Wong

Tessa Thompson

Josh Brolin

Tilda Swinton

The Ancient One

Robert Redford

Alexander Pierce

Dave Bautista

Anthony Russo

Christopher Markus

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Kevin Feige

Louis D'Esposito

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Michael Grillo

Trent Opaloch

Cinematographer

Jeffrey Ford

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Production Design

Judianna Makovsky

Costume Design

Sarah Halley Finn

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Waiting for Thanos

Avengers: endgame is like samuel beckett with superheroes..

“The end is in the beginning, and yet you go on,” observes one of the four characters in Samuel Beckett’s play Endgame , a starkly minimalist meditation on the inevitability of death and the necessity of maintaining human connections, however imperfect and infuriating the humans we’re stuck with may be. The Avengers installment of the same title, the conclusion of an 11-year, 22-movie cycle of Marvel Cinematic Universe adventures—is the precise opposite of minimalist: It’s three hours long, stuffed with dozens of characters, and takes place not in a bare room with a chair and two windows but across multiple galaxies, time spans, and alternate universes. But in its own sentimental, fan-servicing, spaceship-exploding way, Avengers: Endgame , directed by brothers Joe and Anthony Russo , takes on some of the same hard questions as its existentialist namesake. Whether you’re a bickering old couple stuck in a pair of garbage cans or a gang of bickering superheroes trying yet again to save the cosmos, how are you supposed to confront loss, the ineluctably sad fact that the people and institutions and, yes, even movie franchises you care about are always in the process of changing, disappearing, and dying?

Lest that analogy—Beckett in space!—sound too somber, take heart that (like the play Endgame , actually) Avengers: Endgame throws in plenty of laughs along the way. In fact, in the long stretch between its appropriately somber opening chapter and an emotionally grueling finale, it may be the most lighthearted and character-driven Marvel movie since the giddy comic entry Thor: Ragnarok . Endgame consists almost entirely of the downtime scenes that were always secretly everyone’s favorite parts of these movies anyway—the Avengers hanging out, dunking on each other’s outsized egos, indulging in passive-aggressive dominance displays disguised as banter, or casually offering each other their uneaten peanut butter sandwiches. But this epic installment (scripted by MCU veterans Christopher Markus and Stephen McFeely) is still capacious enough to fit in ample time—more than ample, I’d say—for spectacular if cacophonous action scenes, serious dramatic storytelling, some touches of light romance, and a surprising amount of what you might call well-earned brooding, not just on the parts of the heroes but of the villain too.

That would be Thanos, the hulking, purple-skinned bad guy (voiced by Josh Brolin) whose utilitarian moral principles had him halving the universe’s population of living things with a single finger snap in the shockingly bleak ending of the last chapter, Avengers: Infinity War . When we revisit our heroes, even those who haven’t been dissolved into mulch have been transformed by the event—sometimes literally. (A huge prosthetic stomach worn by one of these super-specimens veers cringily near fat-joke territory, but the hero’s insistent self-confidence makes the transformation more endearing than pitiable.) It takes a character who’s only briefly crisscrossed with this now-downtrodden group in the past—Paul Rudd’s size-shifting Ant-Man—to propose a plan: Why not hop back in time, reconstruct the all-powerful glove before Thanos can, and snap the missing 50 percent back into being again? That will of course require the construction of a time machine, but with a reluctant Tony Stark (Robert Downey Jr.) dragged back into the game, such a device is only one epiphany away. (Pro tip: Just reverse the rotating Möbius strip that floats in holographic form above your super-advanced home computing system!)

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Storywise, the middle stretch of the movie consists of crosscutting among various interplanetary timelines as our heroes split up, Scooby Doo­–style, to recover the scattered jewels. By this point in the series, there are so many plot threads to tie up, old friends to mourn (or reanimate), and intra-Avengers scores to settle that in its relatively swift-moving three hours, Avengers: Endgame scarcely spends a minute with a single character who isn’t super. Sure, the task at hand is to bring back 50 percent of the universe’s living beings—according to one character’s estimate, the number of disappeared creatures belongs in the trillions—but the world of this movie is curiously intimate, focused all but completely on the history and relationships of the dozen or so super-beings at its center. I won’t tell you who makes it back to the world of the living—nor who leaves it, sometimes in ways too absolute to be reversible.

But as I got caught up in, say, the gruff resolution of the Civil War –era beef between Iron Man and Captain America (Chris Evans), or accompanied Hawkeye (Jeremy Renner) and Black Widow (Scarlett Johansson) through a wrenching turning point in their too-long-neglected platonic friendship, I realized grudgingly that these movies—which have taken me in the past 11 years on an emotional journey from charmed ( Iron Man ) to bored ( Iron Man 2 and 3 , most of the Thor movies ) to pleasantly amused ( Guardians of the Galaxy , the aforementioned Ragnarok ) to legitimately moved ( Black Panther , Captain America: Winter Soldier , Infinity War , and now Endgame )—no longer feel only like products rolled off the Marvel factory line, engineered for maximum global box office and product tie-in possibilities. Though not every outing has escaped the constraints placed on it by formula and the marketplace, this motley crew of super-friends has become a part of our shared popular culture, largely thanks to the charisma and interpersonal chemistry of the actors playing them. You can curse the stranglehold comic book blockbusters have on the film industry and still resist the idea of a world with no one super in it.

For the first time since the Bush administration, the final credit sequence for a Marvel adventure contains no midroll or ending “stinger,” no sly, enigmatic glimpse of what new villain or hero awaits us in the movie to come. That’s not to say there won’t be new Marvel products rolling out in the near future; if this is indeed the twilight of the gods, a well-funded and globally marketed dawn (and a welcomely diversified new pantheon) is around the corner. But there was something peaceful, almost soothing, about getting up midway through the credit roll—I admit I did stick around for one last image of all the major characters, some accompanied, in good fan-service style, by the autographs of the actors playing them—and leaving the theater without looking back. Given that time in our own universe keeps on stubbornly moving in the same direction, sometimes things—movie franchises, actors’ contracts, even the lives of long-beloved characters—come to an end, and there’s just time to take a breath and look up at the sky before the building of the next universe begins.

avengers endgame short movie review

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Avengers: Endgame new poster, via Disney Media File

Avengers: Endgame new poster, via Disney Media File

Avengers: Endgame movie review: Nothing short of a Marvel miracle

Avengers: endgame is finally here to wrap-up several years of cinematic world building. but does the conclusion to the infinity saga satisfy.

What to say about the epic conclusion to the Infinity Saga without making online readers angry? This will be no easy mission. Avengers: Endgame is a film so difficult to discuss that reviewing it is almost impossible. And this is all thanks to a brilliant marketing campaign from Marvel which gave away almost nothing about the film’s plot.

This said, a review must be done and while spoilers will be avoided at all costs, what one considers to be a spoiler is entirely subjective when discussing this film. The mere description of how the film makes one feel can arguably be seen as a spoiler. So, this is a friendly warning: No details of Avengers: Endgame will be revealed in this review but Extremely Mild Spoilers are possible.

The following is pretty upfront in the advertisements as well as marketing. The story of Avengers: Endgame takes place during the aftermath of Avengers:  Infinity War . Half the world’s population has been wiped out and the Avengers are looking to pick up the pieces of the destruction from Thanos. Captain Marvel has joined the team and is now going to assist in fighting the big bad purple man. And well, that’s about all that can be said without ruining the film for the fans.

Avengers: Endgame

Marvel Studios’ AVENGERS: ENDGAME, Photo: Film Frame..©Marvel Studios 2019

At a whopping 3 hours, the film is packed with so much to chew and dissect, it makes it difficult to describe all of the elements involved. Avengers: Endgame is by far the most ambitious film from Marvel ever and that’s saying a lot after the insane experience of Infinity War. It will surprise many of the people who have become fatigued by the Marvel formula because this film will spin a thousand directions before the credits roll.

The amazing thing about the film’s runtime is that it breezes by seamlessly thanks to the solid pacing. No frame feels wasted and it absolutely makes it hard to get up to use the restroom. There are a lot of things happening on-screen, even in the quieter character-driven moments, which are spectacular.

The character moments in Avengers: Endgame equally rival that of the first film from Joss Whedon. Everyone has their moment to shine and connect to the audience, which is also a huge benefit of the runtime. The only difference is Endgame does a better job of making Hawkeye feel more crucial to the world. His character finally feels just as important as any of the big four –Captain America, Iron Man, Hulk, and Thor.

avengers endgame short movie review

Marvel Studios’ AVENGERS: ENDGAME..Tony Stark/Iron Man (Robert Downey Jr.)..Photo: Film Frame..©Marvel Studios 2019

As a twenty-two film story, though, does the film satisfy the long-anticipated build-up? Yes, on all accounts. While the MCU has hit bumps in the road along the way, Avengers: Endgame brings everything full circle in an extraordinary fashion.

At times, it will give one nostalgia, at times one will cheer, and other times one might even tear up from the overwhelming feelings of an ending to this current saga. It’s astounding that this movie exists and fans have been more than rewarded after a decade of character building.

The film does have flaws, but they are mostly nitpicks. Some of the humor in the film takes away from various emotional moments. Thor: Ragnarok had this same issue, pushing a quip on a scene that was more tragic than funny. Most people will not care about this though and might appreciate the levity the moment brings.

It also seemed like some of the visual effects towards the end were not completely polished before the film’s release. It’s not easily noticed by most but this may bother some. Again though, given the ambition of this film and what the Russo Brothers were up against, it’s such a minor issue.

Overall Thoughts

This movie is a miracle in every sense of the word. This entire franchise is a miracle as well. Avengers: Endgame is the example of why having patience is everything when trying to build a satisfying cinematic universe. It also shows why having patience allows for crowd-pleasing conclusions.

None of this film would work if it weren’t for years of devotion to making each film as good as possible. Anyone who has been on this 11-year journey that all started with a “Genius, Billionaire, Playboy, Philanthropist” should be more than satisfied. What comes next is anyone’s guess but we should all be grateful that we lived to experience the Infinity Saga.

Avengers: Endgame is in theaters now.

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Angela Watercutter

Avengers: Endgame Review: Time Is on Their Side

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There is nothing more impermeable than time. It's fixed, constant. It may be a human construct, but it is one humanity has built atomic clocks to perfect; there is no stopping its ever-forward march. Except in sci-fi. And comic books. In those worlds, it's fluid. There are rules about not killing Hitler or betting on the World Series, but other than that, the structures of time can be bent.

This, more than anything, is the core of Avengers: Endgame. Yes, there is—as most fans expected—some time travel. (More on that later, in the spoiler-y paragraphs below .) But its deeper narrative follows a thread about the years people have devoted to Marvel heroes, the nostalgia those fans already have for them, and what the future will look like as they evolve. Luckily, in comic-book stories, the future is just as malleable as the past.

First, here's what you need to know: Avengers: Endgame picks up where Infinity War left off. Thanos has wiped out half of the universe's population, and the remaining heroes (Captain America, Thor, Black Widow, Hawkeye, Iron Man, Rocket Raccoon, and the newly recruited Captain Marvel ) are trying to un-snap his fingers. The other thing to note: Avengers: Endgame is very good. No movie could have fully encompassed everything that happened in the preceding 10 years and 21 films, but it is the best possible effort at trying to achieve that goal. It's nearly three hours, and none of them feel wasted. More than that, it's exactly what fans need.

What Marvel fans, or anyone, needs in 2019 is a tricky proposition—one that plays out twofold in Endgame , with a double-helix of a plot that constantly works on two levels. First, there's the obvious: Everyone needs closure, needs to see if the Avengers can pull off saving the universe one more time. Second, they need to be rewarded for the decade-plus they've spent with these characters, the effort they've put into seeing every film.

Endgame achieves this using one of the oldest tricks in the cinematic playbook: time travel. As everyone who noticed that Doctor Strange, Wong, and Ant-Man were largely unaccounted for at the end of Infinity War predicted, there is only one way to press Undo on what Thanos did: pull a Cher and turn back time. Though, they don't just rewind what happened and stop it. Instead, they find a more permanent solution that involves going back to retrieve the Infinity Stones before Thanos got his big purple hands on them and using their power to reverse the damage.

This review won’t reveal if this plan succeeds at defeating Thanos, but it will say that it’s a wonderful ride and a narrative tool that provides a chance for the Avengers and their posse to revisit a large chunk of the movies in the franchise. It’s a trip that, in the best ways possible, feels like a band reuniting for a greatest-hits tour, one where the songs gets played by a frontman or frontwoman who wasn’t on the original track—some Traveling Wilburys covering a George Harrison track, Jay-Z and Nas ending their beef to perform “Dead Presidents,” and Beyoncé reuniting Destiny’s Child at Coachella all rolled into one. (In this case, it’s more like “Rocket goes to Asgard” and extended beats of Bruce Banner explaining science to The Ancient One.) It’s a service to every fan who remembers those early films fondly, and a final tug on the threads that have held the franchise together since the beginning.

This kind of nostalgia is delicate, though. It’s tempting to want to go back to the first arc in these heroes’ journeys, the origin stories when they were ascending. It might even be tempting to just go back to 2008, before Mueller reports and Harvey Weinstein investigations and Michael Jackson documentaries, when it seemed easier to believe in heroes in general. That’s impossible, and foolhardy. Longing for those days is akin to longing for a time of ignorance, a time when all the superhero movies were led by white dudes. Everything has changed, and while revisiting days of future past is fun, time (in our world) only moves forward, and the future is more important than what’s come before. Or, to borrow a phrase from Tony Stark, “That’s the hero game—part of the journey is the end.”

Acknowledging this reality is Endgame ’s strongest suit. Because while it spends a fair amount of its second act playing to its base (with some excellent surprise cameos), it spends its final third establishing its new world order. In one of the film’s most telling moments, Captain Marvel—sporting a haircut sure to be the toast of Lesbian Twitter for months—charges into battle flanked by the franchise’s women heroes, the MCU’s version of a Time’s Up meeting ( remember this? ). Marvel’s Phase 4 is still fairly uncertain, but if Endgame has any takeaway it’s that the future is female. And less white. And at least a little bit queer.

Avengers: Endgame could become the biggest movie the world has ever seen: It may make nearly $1 billion in one weekend . Theaters are staying open around the clock to keep up with demand. It’s the culmination of 11 years and 21 films—an unprecedented feat that may never be repeated. The only thing that may come close is December’s Star Wars: The Rise of Skywalker , which will be the ninth film in a nostalgia-filled franchise spanning more than four decades. That film, too, will see the reins handed over to a new generation of heroes, folks whose chance to lead is long overdue. Endgame is a beautiful, massive finale—and it paves the way for all the warriors to come. It’s about time.

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‘Avengers: Endgame’ Review: A Messy Love Letter to the Biggest Movie Franchise of the Century

‘Avengers: Endgame’ Review: A Busy Love Letter to the Marvel Universe

By assembling a decade of superhero narratives into the spectacular package that was “Avengers: Infinity War,” Marvel Studios pulled off the most dramatic blockbuster gamble of all time. Directors Anthony and Joe Russo imported the complex world-building approach from generations of Marvel Comics into a cinematic whole, creating a noisy mishmash of beloved characters and CGI-laced showdowns. It was a unique negotiation between spectacle and character, more impressive than anyone could have anticipated. But it would have been little more than a costly collage without the most dramatic cliffhanger in modern history, and “ Avengers: Endgame ” strains from contending with the fallout of that twist.

Few spoilers follow here, though sensitive viewers may consider even general observations as such. Suffice to say, “Endgame” delivers the payoff countless fans hoped for, even as it struggles to fuse that commercial mandate into a gratifying whole. There’s much to enjoy about this mishmash of tender goodbyes and last-minute strategies to save the universe, but after an intelligent first hour, “Endgame” amounts to a dense nostalgia trip. With “Infinity War,” it was thrilling to watch a mass-market movie let the bad guy win, and it’s less satisfying to see the Avengers clean up the mess one last time. The title of “Endgame” is misleading: This busy love letter to the biggest movie franchise of all time unleashes several endings at once, resulting in a fascinating — if at times messy — collection of competing agendas.

TRANSFORMERS: RISE OF THE BEASTS, Optimus Primal (voice: Ron Perlman), 2023. © Paramount Pictures / Courtesy Everett Collection

“Infinity War” rose above expectations with the bleak jolt of its finale, and the first act of “Endgame” takes its cues from that remarkable shift. For the underground dwellers among us, the gist is alien warlord Thanos (Josh Brolin) fended off various efforts by the Avengers to prevent him from getting all six Infinity Stones into a giant metallic gauntlet. With those powerful devices in his grasp, he achieved his psychotic plot to reduce all life by half, with the disturbing simplicity of a finger snap. Nothing that Iron Man (Tony Stark) or Captain America (Chris Evans) did could stop him. The Hulk (Mark Ruffalo) was useless. Ditto Norse god Thor (Chris Hemsworth), martial arts expert Black Widow (Scarlett Johansson), and expert marksman Hawkeye (Jeremy Renner), who doesn’t even show up. And dopey Ant-Man (Paul Rudd), as “Ant-Man and the Wasp” later explained, was trapped in the quantum realm the whole time.

That left a lot of the more popular Marvel characters who were introduced in the aftermath of 2012’s “The Avengers,” from Spider-Man to Black Panther, whisked out of existence in a now-iconic fizz of evaporating dust. When the credits rolled on “Infinity War,” it was the most devastating act of cultural misdirection since Stephen Colbert tried to be funny on the 2016 election night. For Marvel and parent company Disney, the “Infinity War” finale was at once a radical storytelling maneuver and brilliant marketing savvy that guaranteed audiences would be primed for the concluding chapter. A zillion possibilities abounded around one intimidating question: How could the Avengers get their hands on Thanos’ gauntlet and make things right?

Despite its many moving parts, “Endgame” actually resolves that query with a series of tidy developments (a reminder that internet fan theories are often too smart for their own good). But it also proves that the question matters less than the colorful personalities tasked with getting there. “Endgame” opens 23 days after Thanos’ finger snap, as the remaining shellshocked Avengers assemble just long enough to argue and mourn before they realize they have to take action. That means tracking Thanos to his tranquil planet-sized paradise, where a violent showdown proves that fixing these circumstances won’t come so easily (or, at least, this quickly). The movie then travels even farther into the future, depicting a world coming to grips with the possibility of an unhappy ending.

The Russos were best known for NBC’s “Community” prior to directing 2013’s “Captain America: Winter Soldier,” but their entries in the franchise have excelled at oscillating between grim, consequential storytelling and the sense of fun necessary to make these movies click. That talent reveals itself in their fascinating depiction of how the Thanos snap reverberates across the world, forcing the Avengers to confront the turmoil of actual defeat. Some find new beginnings, and families, or freelance gigs; others settle into empty celebrity. It’s remarkable to consider the possibilities of an actual superhero movie in which change is immutable, but come on: Sometime before the one-hour mark, a key character comes up with just the idea that could reverse at least some of Thanos’ destructive effects, and so begins the real quest at hand.

avengers endgame short movie review

The gimmick may be a cheap sci-fi device, but it arrives in fancy wrapping as an excuse to revisit aspects of all 21 previous movies. Familiar settings come and go, alongside tidbits of cameos from major and minor characters, as well as some engaging filmmaking trickery that allows old settings to take on fresh identities.

Even as it careens into a heavy series of complications, the Russos juggle the tones with balletic finesse. From the blue-hued opening with Tony Stark in deep space to the reemergence of Thor as a burly, booze-guzzling online troll, “Endgame” offers snippets of endearing moments with astonishing visual flair and first-rate music cues (The Kinks’ “Supersonic Rocket Ship” is especially well placed). And while it gives a little extra screen time to some newer additions to the MCU (especially former “Guardians of the Galaxy” villain Nebula, played with moody intensity by Karen Gillan), the bulk of “Endgame” revolves around the original Avengers.

That means more passive-aggressive banter between Iron Man and Captain America, a disarmingly insecure Bruce Banner, some dreary asides from Black Widow, and so on. The MCU has grown more diverse over the years, but newer characters who may guide the series into its next chapters, such as Captain Marvel and Black Panther, have been relegated to the sidelines. Despite a few applause-worthy achievements in the climactic battle, their minor subplots serve as little more than teasers for the representational strides around the corner — exciting in theory, but less so in the context of this particular story.

“Endgame” mostly unfolds as a prolonged embrace of the long-term challenges facing its beloved mainstays, like Banner’s ability to merge his meek-scientist persona with the raging testosterone monster within, and Thor’s lingering grief over his departed mother. (Here and there, Bradley Cooper’s Rocket Raccoon scores a good laugh, but the potential of this cartoony troublemaker remains unfulfilled.) Alan Silvestri’s epic score keeps the plot moving through various overlapping circumstances, but “Endgame” works best in small doses of the greatest hits — at least until the Russos throw up their hands and bring together every possible strand for a cacophonous showdown. Amid the noisy CGI of the final-act battle, there are plenty of rousing moments — but they’re all fragmentary, with payoffs according to the level of viewer investment. Newcomers to the series may as well be watching a “Transformers” movie.

Still, Thanos remains rare among blockbusters as a brooding villain with a profound sense of purpose, and Brolin continues to inject the character with bonafide menace right down to a final telling expression. “Who?” was the question when the purple-faced destroyer of world’s name was uttered in “Infinity War,” but “Endgame” opens with an assertion from another major figure who makes it clear just how much the world has changed: “Let’s go get the sonofabitch.”

Yet as they do, the Thanos factor is really beside the point. Watching Downey embody his exuberant riff on Elon Musk (with ample Jagger swagger) once more is a reminder of just how much this versatile actor elevated the material — and his career — with a cocky screen presence all his own. Chris Evans’ stiff and serious Captain America has felt antiquated for years, but the actor finally gets a chance to play up the lifelong regrets that dogged Steve Rogers since he was frozen in ice decades ago. Johansson and Renner have less screen time, but there’s a key moment between them that marks the rare case of action-based storytelling serving a complex emotional agenda. At their best, the MCU movies have shoehorned in rapid-fire action in tandem with appealing personalities, so it’s gratifying to see at least one occasion that achieves both goals at once.

avengers endgame short movie review

The hits keep on coming: Diehard MCU viewers will be just as pleased to see supporting players like Anthony Mackie’s Falcon and Tony’s resilient lover Pepper (Gwyneth Paltrow) juggle a handful of warm scenes with their closest peers; the same goes for scores of other MCU staples (some of whom arrive at unexpected moments).

It’s an exhausting collage that bears no resemblance to any kind of franchise filmmaking other than its own overpopulated ensemble. (The “Star Wars” expanded universe may have more characters, but never stuffed into a single scene.) More than that, this speedy arrangement of catchy exchanges and brawls feels like it was crafted with internet memes in mind. As “Endgame” sputters to the finish line, it leaves the impression of witnessing a Marvel Movie Marathon compressed to three hours — and 58 seconds, but trust me, they’re disposable — of unbridled fan service.

Much of that service radiates with a sincere, even soulful, embodiment of the crackling wit and playful self-awareness that has helped these movies keep fans engaged for so long. And it suggests the next phase of that loyalty, with a spate of new movies and Disney+ TV series around the corner. As “Endgame” drops hints of additional subplots readymade for future entries, and sketches out concepts for new heroic pairings to come, its ultimate coup is the implication that every good story is readymade for a reboot.

“Avengers: Endgame” opens April 26, 2019.

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Marvel’s Avengers: Endgame review

In avengers: endgame, marvel saved its best (and biggest) for last.

Rick Marshall

It’s difficult to overstate the importance of Avengers: Endgame in the Marvel Cinematic Universe. The culmination of 21 films and several television series weaving together a singular narrative over more than a decade, Endgame is not just the final chapter in Marvel’s “Infinity Saga,” it’s the final exhibit in a billion-dollar proof-of-concept for both Hollywood and movie audiences.

At this point, everyone knows Marvel’s powerful production team, led by Marvel Studios President Kevin Feige, can tell a great story, but with Endgame , the question becomes: Can they end it?

The answer to that question is no simple affirmative. It’s an emphatic, comprehensive “yes,” resulting in a film that somehow manages to be as epic as fans hope and as dramatic as the MCU deserves.

Simply put, Avengers: Endgame is the biggest movie Marvel has ever made, and it just might be the best, too.

Directed by Avengers: Infinity War   and Captain America: Civil War  filmmakers Joe and Anthony Russo,  Avengers: Endgame picks up in the aftermath of the climactic events of Infinity War, which saw cosmic conqueror Thanos (Josh Brolin) turn half the living creatures in the universe to dust with the snap of his fingers. Reeling from their defeat and hopelessly adrift — some quite literally — the heroes of the MCU find themselves faced with one final opportunity to reverse Thanos’ actions and bring their allies, friends, and families back.

Precious little can be said of the plot that brings  Endgame and the MCU’s “Infinity Saga” to its conclusion without spoilers, but it should suffice to indicate that plenty of surprises await even the most all-consuming Marvel movie fan.

Endgame is a master class in building and maintaining drama.

At this point, it’s becoming a Marvel Studios (and Disney at large, for that matter) tradition to feel like there’s been too much footage released in the lead-up to a film’s release, only to have the final product offer all manner of narrative twists, turns, and unexpected meme-generating moments. That holds true for Endgame more than any prior MCU movie, as the potential for spoilers was massive, but the number of think pieces and op-eds to accurately glean even a few — if any — plot points from the film is shockingly small.

Marvel deserves plenty of credit for whatever secret-keeping strategies it employs, because Endgame is a master class in building and maintaining drama.

Much was made of the film’s three-hour running time in the lead-up to Endgame’ s premiere, but those three hours fly by without ever feeling jumbled or forced. Endgame keeps a quick pace, but it’s a pace that feels familiar in the MCU, with every moment efficiently put toward building out a character, driving the story forward, or evoking a particular emotion — even when that emotion is a bit of levity in an otherwise dire moment.

The cast of  Endgame is crowded, certainly, but the Russos take painstaking efforts to give each character a moment to shine — from new favorites like Captain Marvel (Brie Larson) to MCU veterans Captain America (Chris Evans), Iron Man (Robert Downey Jr.), and Thor (Chris Hemsworth).

It’s those latter three, along with Black Widow (Scarlett Johansson), Hawkeye (Jeremy Renner), Hulk (Marc Ruffalo), and Rocket Raccoon (voiced by Bradley Cooper), who truly shine in  Endgame . Along with Ant-Man (Paul Rudd) and Nebula (Karen Gillan), these surviving MCU characters (following the events of Infinity War ) are tasked with showing the audience the physical and emotional toll of losing so many friends and family members in a conflict they believed themselves certain to win.

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The aforementioned characters’ disappointment in themselves and the world they failed to protect — something that had become, for many of them, their entire purpose in life — resonates throughout their arcs in Endgame . Fortunately, the cast delivers some of their best performances to date in exploring how each character processes that kind of trauma, and if any uncertainty surrounding Marvel’s casting decisions still remained, the actors’ performances in this concluding chapter should finally and decisively put those doubts to rest.

While the spectrum of emotions that Endgame tackles is surprisingly robust (and features an impressive level of nuance when dealing with certain characters’ responses to the events of  Infinity War ), the bar-raising scope of action comes as less of a shock.

To the surprise of no one, Endgame boasts some of the largest battles of any MCU film so far, both in the number of top-tier, recognizable characters appearing on the screen at various points and the sheer cinematic scope of the events playing out there. Yet, amid all of the chaos, the Russos somehow manage to find just the right balance between the cheer-worthy spectacle of it all and the sort of focused, character-driven action that makes the stakes of the battle feel authentic.

Looking back at  Infinity War through the lens of  Endgame , it’s easy to see the former as a film about the way heroes can set aside their personal differences for a cause greater than all of them.  Endgame , however, is a film about the true costs of war — both for those who fight in it and those around them.

All of this will likely be the subject of countless think pieces in the weeks to come, and Endgame brings the MCU full circle by focusing on the characters who kicked off Marvel’s unbelievably ambitious experiment a decade ago.

After years of battles fought, seemingly unbeatable odds soundly beaten, and countless enemies and diabolical schemes foiled time and time again, the two-part experience offered by Infinity War and  Endgame is a cathartic one. The loss felt by the characters across the two films is one of the most powerful emotional journeys the MCU has given audiences so far, but so is their path to redemption in Endgame .

In the end, it’s somewhat fitting that Marvel chose to buck tradition with Endgame and not include the usual mid- or post-credits scene , leaving us hanging when it comes to what’s next for the MCU.

If  Endgame was indeed the final chapter in Marvel’s movie-verse, it would be a perfectly satisfying send-off to one of the greatest franchises ever brought to the big screen.

Fortunately, the MCU still has plenty of stories to tell — and if they’re half as good as the story that  Endgame brings to an epic, wonderfully satisfying conclusion, we have a lot to look forward to.

Avengers: Endgame premieres April 26 in theaters around the US.

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Rick Marshall

Director Karen Maine’s new comedy, Rosaline, works overtime to find a new perspective in one of the most well-known stories of all time. The tale in question? None other than William Shakespeare’s Romeo & Juliet, which remains so iconic that its influence continues to be felt today. As its title suggests, Maine's film does not place its focus on either of that play’s eponymous, star-crossed lovers, though, but rather on the woman who had originally captured young Romeo’s heart before he set his eyes for the first time on her cousin, Juliet.

In Shakespeare’s play, Rosaline is mentioned frequently but never given an actual line of dialogue. Here, the character is reimagined as a brash and determined young woman who refuses to simply accept Romeo’s change of heart. Instead, she sets out to win him back through any means necessary. The film, in other words, attempts to build a fairly common rom-com plot out of the most iconic love story of all time. Rosaline, to its credit, mostly succeeds at doing so, thanks in no small part to the fiery and charismatic performance given by its young lead.

Well, that's finally over.

Filmmaker David Gordon Green's revival of the Halloween franchise, which started out strong with 2018's Halloween before stumbling with 2021's Halloween Kills, wraps up with this year's appropriately titled Halloween Ends, a film intended to be the swan song for both his trilogy and original Halloween star Jamie Lee Curtis' involvement with the franchise. And while Green's final installment manages to salvage some of the series' appeal, Halloween Ends ultimately falls short of realizing the trilogy's initial potential.

With its lush sets and perpetually probing camera, Decision to Leave looks and moves like any other Park Chan-wook film, but it reverberates with the same untempered passion present in Golden Age noirs like In a Lonely Place and Double Indemnity. Unlike those two films, though, which center their stories around a hot-tempered screenwriter and naïve insurance salesman, respectively, Decision to Leave follows another common noir archetype: the lovelorn detective (played here by Park Hae-il).

In the film’s opening moments, Hae-jun, the detective in question, lands a case involving the mysterious death of a recreational rock climber. The case, in typical noir fashion, leads to Hae-jun crossing paths with Seo-rae (a spellbinding Tang Wei), his victim’s gorgeous but eccentric widow. Perturbed by how disinterested she is in unpacking her abusive husband’s death, Hae-jun begins to tail and spy on Seo-rae, unaware that doing so will only further intensify his attraction to her. As far as noir plots go, this is about as familiar as it gets. With its nods to Hitchcock and lightly self-aware attitude, Decision to Leave makes it clear that it doesn’t mind treading the same narrative terrain as so many of the noir classics that have come before it, either.

Robert Downey Jr in Avengers: Endgame.

Avengers: Endgame review – unconquerable brilliance takes Marvel to new heights

The climactic movie in the Avengers series is an irresistible blend of action and comedy, guaranteeing a sugar rush of delirious enjoyment

T he previous Avengers movie, Infinity War, stunned believers and unbelievers alike with its sheer stupendous scale, and that devastating ending in which the evil Thanos appeared to have gained victory by getting hold of all six of the Infinity Stones, causing a crumbling-to-dust of many key players: a terrible cosmic loss, irreparable, irreversible, surely?

We were of course promised wild new surprises with this colossal climactic movie in the Marvel Cinematic Universe, written by Christopher Markus and Stephen McFeely and directed by the Russo brothers, Joe and Anthony. But would these surprises be .... new ways of coming to terms with the unchangeable disaster? Unexpected coping strategies? Novel means of simply accepting the Avengers’ stunningly permanent defeat? Or could it be … something else? Paul Rudd, who plays Ant-Man, was challenged on TV about the possibility of his character shrinking to a tiny size, flying into some convenient orifice of the evil Thanos, and then grossly enlarging himself to make the great villain go splat like Mr Creosote. Rudd declined to be drawn. Well, I won’t disclose how things progress here, other than to say it allows the main players to revisit some of the scenes of their most spectacular franchise triumphs. And I have to admit, in all its surreal grandiosity, in all its delirious absurdity, there is a huge sugar rush of excitement to this mighty finale, finally interchanging with euphoric emotion and allowing us to say poignant farewells.

In chess, an “endgame” sees relatively few pieces on the board – but of course, this film is much more heavily populated. Tony Stark (Robert Downey Jr) is floating, desolately, in space, staring extinction in the face. Hawkeye (Jeremy Renner) confronts the loss of his family – a rather eerie, challengingly downbeat opening scene. Steve Rogers, formerly Captain America (Chris Evans) is helping others deal with their awful sense of cosmic grief. Rhodey (Don Cheadle) and Black Widow (Scarlett Johansson) are grimly getting on things. Captain Marvel (Brie Larson) is a vivid new presence in everyone’s lives.

And change is the keynote. Bruce Banner (Mark Ruffalo) has found a way to co-exist as a gentle human intellectual and a green monster. He is now half-man, half-hulk (mulk?) and is now reconciled to a new twilight of celebrity, accepting selfie opportunities with kids. But Thor (Chris Hemsworth) is a worry. The great catastrophe has caused him to retreat to New Asgard, where he has put on an enormous amount of weight and morosely obsessed with beer and video games. It is a very funny performance from Hemsworth, emphasising that he is first among equals with the Avengers when it comes to comedy. Other people get funny lines as well, and the words “Mungo Jerry” gets one of the biggest laughs of the film.

Karen Gillan as Nebula in Avengers: Endgame.

But part of this movie is about how Thor comes to terms with the memory of his mother, Frigga (Rene Russo), and also in fact how Tony Stark achieves closure on the subject of his dad, Howard (John Slattery). And there are many more characters and subordinate narrative arcs to absorb. The poster is not an infallible guide. It is, as ever, a huge intricately detailed and interlocking mosaic of figures within that strange Avengers universe, which uniquely (and bizarrely) combines both the mythic and the contemporary – and which is here the stage for a Tolkienian quest.

Avengers: Endgame is entirely preposterous and, yes, the central plot device here does not, in itself, deliver the shock of the new. But the sheer enjoyment and fun that it delivers, the pure exotic spectacle, are irresistible, as is its insouciant way of combining the serious and the comic. Without the comedy, the drama would not be palatable. Yet without the earnest, almost childlike belief in the seriousness of what is at stake, the funny stuff would not work either. As an artificial creation, the Avengers have been triumphant, and as entertainment, they have been unconquerable.

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‘Avengers: Endgame’ Review: The Real Heroes Were the Friends We Made Along the Way

‘avengers: endgame’ | anatomy of a scene, anthony and joe russo narrate a sequence from their film featuring chris hemsworth..

“Hi, I’m Anthony Russo.” “And I’m Joe Russo.” “And we are the directors of ‘Avengers: Endgame.’ This is a scene that happens relatively early in the film where we are catching back up with our characters after a five-year time elapse once they have definitively lost to Thanos— after he’s eradicated half of all life. Everyone’s taking that occurrence badly, of course, but some are taking it worse than others. Thor blames himself for the loss in many ways. And he’s basically masking it. He’s hiding in things like alcohol, and food, and video games, and TV. And he’s cloistered himself in this cabin here, and he’s very much hiding from the pain that he can’t face.” “Boys! Oh, my God! Oh, my God, so good to see you! Come here, cuddly little rascal. [GRUNTS] “Yeah, no, I’m good. I’m good.” “I think why this is one of our favorite scenes in the movie is this is an exceptional performance from Hemsworth. One of the hardest tones to play as an actor is to play both pathos and humor, and he does it with such a delicate touch in this scene. You really have to commit to stakes, you have to commit to emotional truth in order for the performance not to get ridiculous. That’s why it’s so difficult, because it can go absurd on you very quickly. And he does it. He grounds it. And this is right around the section where he starts to ground the performance.” “And he’s grounding it, of course, surrounded by a bunch of CG actors, which is doubly hard to pull off.” “And while wearing a 30-pound body suit.” “Yeah. And Joe and I, as filmmakers, we love to play with tone. We like very complicated tones. And this scene, I think, is really juicy for us because it starts from such a silly, absurd, frivolous place in terms of how Thor is hiding, what kind of behavior he’s adopted to get away from the pain.” “So what’s up? You’re just here for a hang or what?” “We need your help. There might be a chance we could fix everything.” “Well, like the cable? Because that’s been driving me bananas for weeks.” “Like Thanos.” “And this is a moment right here where, in a single moment, when Hulk says ‘Thanos,’ you see Chris Hemsworth reveals to us the pain that he’s been masking.” “He’s a tragically haunted man. And the tone shifts there very, very delicately.” [SOMBER MUSIC] “Don’t say that name.” “Even Korg shifts tone and becomes part of the conversation in this moment.” “The scene has a wonderful shape to it in the sense that we start from a place of lightness. It moves to a place of real darkness. And then at the end, there’s some kind of bizarre reconciliation of the two.” “Why would I be? Why would I be scared of that guy? I’m the one who killed that guy, remember? Anyone else here killed that guy?” “To get a peek into the window of how we would shoot a scene like this. So we didn’t have Taika on set that day, so there’s a motion capture actor playing Korg. We voiced Taika later. Ruffalo’s on set wearing, basically, the equivalent of pajamas which are a motion capture suit. And we have him on a platform so he can move around at the height he needs to move around at so he can have eye contact with Hemsworth. And when Hulk touches Hemsworth, we just replaced that with a Hulk hand instead of Ruffalo’s hand. And then we have— James Gunn’s brother plays Rocket on set. He’s crawling around on the ground on his knees so that he can also be at the same height as Rocket. So it’s very complicated to pull off a scene like this, and then to add in these difficulty-in-tone complexity of performance for Hemsworth, and this is about as a high degree of difficulty as it gets for an actor.” “You also notice the room— for as funny as this scene is, the room is very moody and dark. I think that really speaks to the fact that there’s a duality going on in this scene, and that ultimately, the story lies in Thor’s pain. And that that’s really what we’re moving here through on a story level here, and what this character is trying to push through. You’ll notice that the screen is blurred, and that’s because of some obscure rights issue. ‘Fortnite’ is actually playing on that screen, but for some reason in this clip, we can’t play it.”

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By A.O. Scott

“No amount of money ever bought a second of time,” one character says to another — I’m afraid I can’t be any more specific than that — somewhere around the middle of “Avengers: Endgame.” So true, so true, and also in context so completely not true. The intersecting axes of time and money are what this franchise is all about, and while I’m not an expert in studio math, I’d guess that a second of the movie, based on what Disney and Marvel Studios paid to make it, would buy a decent used car.

There are roughly 10,860 of those — seconds, not cars — nestled in between the quiet, spooky opening and the last bit of end credits. Which means that whatever a ticket costs in your neighborhood, “Avengers: Endgame” might count as a bargain. At three hours and one minute, it’s shorter than “Titanic,” “The Godfather Part II” or Luchino Visconti’s “The Leopard.” And while the time doesn’t exactly fly, it doesn’t drag either. The two hours and forty minutes of “Infinity War” (also directed by Joe and Anthony Russo ) felt infinitely longer. Settling scores, wrapping up loose ends and taking a victory lap — the main objects of the game this ostensibly last time around — generate some comic sparks as well as a few honest tears.

And why not? We’ve lived with these characters and the actors playing them for more than a decade, and even when the party got hectic, stupid or crowded, there was no reason to complain about the guests. For the most part, it’s nice to see them again, and a little sad to say goodbye.

From left, Don Cheadle, Robert Downey Jr., Chris Evans, Karen Gillan, Bradley Cooper (as the voice of Rocket Raccoon), Paul Rudd and Scarlett Johansson in “Avengers: Endgame.”

[Read the screenwriters’ explanations for plot points. | What to read if you want more Avengers. | How the movie did in Week 2 at the box office .]

Chris Hemsworth’s Thor, always kind of neurotic for a buff deity with a mighty hammer, has let himself go, turning into a fat Lebowski with mommy issues. War Machine (Don Cheadle), Black Widow (Scarlett Johansson) and Hawkeye (Jeremy Renner) have more to do than previously. (I wish that were also true of Tessa Thompson’s Valkyrie.) The Hulk (Mark Ruffalo) has made peace with his essential duality. Robert Downey Jr., looking handsomely grizzled, exercises his seniority with a light touch. He’s been around the longest — the first “Iron Man” was in 2008 — and combines the duties of unofficial chief superhero with those of master of ceremonies.

It’s not all fun and games. A lot of heroes died at the end of “Infinity War,” and their loss weighs heavily on the survivors, perhaps especially on Nebula (Karen Gillan), whose father was responsible for the slaughter. Thanos’s deployment of the six Infinity Stones to wipe out half the life in the universe was unforgivable, of course — I can’t believe I just typed that — but it proves to have been helpful to the Russos, the screenwriters (Christopher Markus and Stephen McFeely) and the audience. We and they have a manageable dozen or so major characters to keep track of, which leaves room for some of the alternately lump-in-throat, tongue-in-cheek ensemble work that has always been the series’s most potent weapon.

“The Avengers” cycle may require an escalating series of battles to save the universe from ultimate evil — each manifestation more ultimate than the last, with Thanos (Josh Brolin) as the ultimate ultimate of them all — but the engine that keeps it running is friendship. This isn’t the same as harmony. Going back to the earlier movies, Hulk and Thor have had their moments of friction, as have Iron Man and Captain America (Chris Evans).

The personal and political bad blood between those two, most acute in “Captain America: Civil War,” continues to simmer, at least at first. But the mood over all is tender and comradely, touched by acute grief and the more subtle melancholy of what everyone seems to understand is the Last Big Adventure. About that adventure, I won’t say much, though it strikes me that the shape of the plot is less vulnerable to spoilage than the little winks and local surprises along the way.

[ Everything you need to know before “Endgame,” in two minutes]

Those are the rewards for sitting through all those movies patiently waiting for the post-credit stingers, collecting Easter eggs while your friends were texting or your dad was napping and generally doing the unpaid labor of fandom for all these years. Was it worth it? In the aggregate, I have my doubts, but the chuckles and awws you’ll hear around you in the theater at certain moments attest to the happy sense of participation that lies at the heart of the modern fan experience. At its best — and “Endgame” is in some ways as good as it gets — the “Avengers” cosmos has been an expansive and inclusive place.

That has proved to be good business. Disney and Marvel’s accomplishment will be duly inscribed in the annals of commerce, to be studied for many years to come. There has been variety — silly movies and somber ones; chapters that proclaim their topicality and episodes that embrace pure escapism — as well as consistency. Any single film can serve as a point of entry, and insider status is easy enough to obtain. There has never been anything difficult or challenging, which is a limitation as well as a selling point.

None of the 22 films in this cycle are likely to be remembered as great works of cinema, because none have really tried. It’s fun to see the actors in these roles we know are capable of better, and also satisfying to appreciate the efforts of those who might not be. Some first-rate directors have taken up the banner and burnished the brand. Their past and future masterpieces will most likely be found elsewhere.

Still, “Endgame” is a monument to adequacy, a fitting capstone to an enterprise that figured out how to be good enough for enough people enough of the time. Not that it’s really over, of course: Disney and Marvel are still working out new wrinkles in the time-money continuum. But the Russos do provide the sense of an ending, a chance to appreciate what has been done before the timelines reset and we all get back to work. The story, which involves time travel, allows for some greatest-hits nostalgic flourishes, and the denouement is like the encore at the big concert when all the musicians come out and link arms and sing something like “Will the Circle Be Unbroken.” You didn’t think it would get to you, but it does.

Avengers: Endgame Rated PG-13. Swearing and fighting. Running time: 3 hours 1 minute.

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